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Money is a poor man's credit card.
Marshall McLuhan
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Marshall McLuhan
Age: 69 †
Born: 1911
Born: July 21
Died: 1980
Died: December 31
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Edmonton
Alberta
Herbert Marshall McLuhan
Marshall MacLuhan
Marshall Mac Luhan
Money
Men
Card
Cards
Credit
Poverty
Poor
More quotes by Marshall McLuhan
While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.
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Only the small secrets need to be protected. The large ones are kept secret by public incredulity.
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I may be wrong, but I'm never in doubt.
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Positively, the effect of speeding up temporal sequence is to abolish time, much as the telegraph and cable abolished space. Of course, the photograph does both.
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It is the framework which changes with each new technology and not just the picture within the frame.
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Control over change would seem to consist in moving not with it but ahead of it. Anticipation gives the power to deflect and control force.
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Primitivism has become the vulgar cliché of much modern art and speculation.
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At electric speed, all forms are pushed to the limits of their potential.
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Our technology forces us to live mythically
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Language as the technology of human extension, whose powers of division and separation we know so well, may have been the Tower of Babel by which men sought to scale the highest heavens. Today computers hold out the promise of a means of instant tr
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Today we are beginning to notice that the new media are not just mechanical gimmicks for creating worlds of illusion, but new languages with new and unique powers of expression.
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Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence.
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Information and images bump against each other every day in massive quantities, and the resonance of this interfacing is like the babble of a village or tavern gossip session.
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The medium is the message because it is the medium that shapes and controls the search and form of human associations and action.
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Typography is not only a technology but is in itself a natural resource or staple, like cotton or timber or radio and, like any staple, it shapes not only private sense ratios but also patterns of communal interdependence.
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It has always been the artist who realizes that the future is the present and uses his work to prepare the grounds for it
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By phonemic trans-formation into visual terms, the alphabet became a universal, abstract, static container of meaningless sounds.
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Technologies themselves, regardless of content, produce a hemispheric bias in the users.
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It is critical vision alone which can mitigate the unimpeded operation of the automatic.
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The bible belt is oral territory and therefore despised by the literati.
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