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Anyone who tries to make a distinction between education and entertainment doesn't know the first thing about either.
Marshall McLuhan
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Marshall McLuhan
Age: 69 †
Born: 1911
Born: July 21
Died: 1980
Died: December 31
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Edmonton
Alberta
Herbert Marshall McLuhan
Marshall MacLuhan
Marshall Mac Luhan
Trying
Entertainment
Make
Either
Education
Anyone
Doesn
Firsts
Tries
First
Racist
Thing
Distinction
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The visual power of the phonetic alphabet is the translate other languages into itself is part of its power to invade right hemisphere (oral) cultures.
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For those for whom the sex act has come to seem mechanical and merely the meeting and manipulation of body parts, there often remains a hunger which can be called metaphysical but which is not recognized as such, and which seeks satisfaction in physical danger, or sometimes in torture, suicide, or murder.
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Money is a poor man's credit card.
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In the land of the blind, the one-eyed man is a hallucinating idiot...for he sees what no one else does: things that, to everyone else, are not there.
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Antipathy, dissimilarity of views, hate, contempt, can accompany true love.
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Advertising is an environmental striptease for a world of abundance.
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The family circle has widened. The worldpool of information fathered by the electric media--movies, Telstar, flight--far surpassesany possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world's a sage.
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The greatest propaganda in the world is our mother tongue, that is what we learn as children, and which we learn unconsciously. That shapes our perceptions for life. That is propaganda at its most extreme form.
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Innumerable confusions and a feeling of despair invariably emerge in periods of great technological and cultural transition.
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Anything that's popular is a rear-view image.
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Art is anything you can get away with.
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In antiquity and the Middle Ages reading was necessarily reading aloud.
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Positively, the effect of speeding up temporal sequence is to abolish time, much as the telegraph and cable abolished space. Of course, the photograph does both.
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We are all robots when uncritically involved with our technologies.
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The mother tongue is propaganda.
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A typewriter is a means of transcribing thought, not expressing it.
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Today we are beginning to notice that the new media are not just mechanical gimmicks for creating worlds of illusion, but new languages with new and unique powers of expression.
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