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The abstract artist has given material existence to many unseen worlds and tempi.
Mark Rothko
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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
World
Worlds
Abstract
Material
Materials
Existence
Artist
Given
Many
Unseen
More quotes by Mark Rothko
Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
Mark Rothko
I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.
Mark Rothko
A painting is not a picture of an experience, but is the experience.
Mark Rothko
To me art is an adventure into an unknown world, which can be explored only by those willing to take the risk.
Mark Rothko
If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.
Mark Rothko
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
Mark Rothko
I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.
Mark Rothko
Small pictures since the Renaissance are like novels large pictures are like dramas in which one participates in a direct way.
Mark Rothko
There is no such thing as good painting about nothing.
Mark Rothko
We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless.
Mark Rothko
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
Mark Rothko
The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.
Mark Rothko
And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
Mark Rothko
(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.
Mark Rothko
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
Mark Rothko
The progression of a painter’s work…will be toward clarity toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer…to achieve this clarity is, inevitably, to be understood.
Mark Rothko
I'm interested only in expressing basic human emotions. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate these basic human emotions.
Mark Rothko
Art to me is an anecdote of the spirit.
Mark Rothko
There is only one thing I fear in life, my friend: One day, the black will swallow the red.
Mark Rothko
A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer. It dies by the same token. It is therefore risky to send it out into the world. How often it must be impaired by the eyes of the unfeeling and the cruelty of the impotent.
Mark Rothko