Quote

With us the disguise must be complete. The familiar identity of things has to be pulverized in order to destroy the finite associations with which our society increasingly enshrouds every aspect of our environment.

Mark Rothko

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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
Society
Disguise
Order
Association
Must
Familiar
Every
Destroy
Things
Complete
Pulverized
Aspect
Associations
Identity
Finite
Environment
Increasingly

More quotes by Mark Rothko

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The reason for my painting large canvases is that I want to be intimate and human.
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To me art is an adventure into an unknown world, which can be explored only by those willing to take the risk.
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I'm interested only in expressing basic human emotions. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate these basic human emotions.
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The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.
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My art is not abstract, it lives and breathes
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Art to me is an anecdote of the spirit.
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Without monsters and gods, art cannot enact a drama.
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(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.
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There is more power in telling little than in telling all.
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Small pictures since the Renaissance are like novels large pictures are like dramas in which one participates in a direct way.
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Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
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While the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done.
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The abstract artist has given material existence to many unseen worlds and tempi.
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Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
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We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless.
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The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
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Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
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I am here to make you think. . . . I am not here to make pretty pictures!
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If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
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If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.
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