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The reason for my painting large canvases is that I want to be intimate and human.

Mark Rothko

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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
Painting
Reason
Human
Humans
Canvases
Intimacy
Intimate
Large

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Art to me is an anecdote of the spirit.
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(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.
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Without monsters and gods, art cannot enact a drama.
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The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.
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It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
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My art is not abstract, it lives and breathes
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I'm interested only in expressing basic human emotions. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate these basic human emotions.
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A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer
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With us the disguise must be complete. The familiar identity of things has to be pulverized in order to destroy the finite associations with which our society increasingly enshrouds every aspect of our environment.
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To me art is an adventure into an unknown world, which can be explored only by those willing to take the risk.
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The progression of a painter’s work…will be toward clarity toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer…to achieve this clarity is, inevitably, to be understood.
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A painting is not a picture of an experience, but is the experience.
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Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
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The picture must be... a revelation, an unexpected and unprecedented resolution of an eternally familiar need.
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The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
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I am here to make you think. . . . I am not here to make pretty pictures!
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We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless.
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While the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done.
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The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
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If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
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