Quote

If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.

Mark Rothko

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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
Tragedy
Moved
Missing
Interested
Doom
Color
Expressing
Emotion
Ecstasy
Point
Emotions
Bigs
Relationships

More quotes by Mark Rothko

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The abstract artist has given material existence to many unseen worlds and tempi.
Mark Rothko
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Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
Mark Rothko
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There is only one thing I fear in life, my friend: One day, the black will swallow the red.
Mark Rothko
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I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.
Mark Rothko
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The progression of a painter’s work…will be toward clarity toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer…to achieve this clarity is, inevitably, to be understood.
Mark Rothko
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And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
Mark Rothko
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To me art is an adventure into an unknown world, which can be explored only by those willing to take the risk.
Mark Rothko
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While the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done.
Mark Rothko
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We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless.
Mark Rothko
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Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
Mark Rothko
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With us the disguise must be complete. The familiar identity of things has to be pulverized in order to destroy the finite associations with which our society increasingly enshrouds every aspect of our environment.
Mark Rothko
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The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
Mark Rothko
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Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
Mark Rothko
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The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
Mark Rothko
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I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.
Mark Rothko
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The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.
Mark Rothko
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My art is not abstract, it lives and breathes
Mark Rothko
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If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
Mark Rothko
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It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Mark Rothko
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(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.
Mark Rothko