Quote

I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.

Mark Rothko

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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
Close
Largest
Ones
Painted
Cases
Floor
High
Hang
Rather
Pictures
Often
Particularly
Also
Lows
Way
Case
Feasible

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(I am) dealing not with the particular anecdote, but rather with the Spirit of Myth, which is generic to all myths at all times.
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The picture must be... a revelation, an unexpected and unprecedented resolution of an eternally familiar need.
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The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
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There is no such thing as good painting about nothing.
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To me art is an adventure into an unknown world, which can be explored only by those willing to take the risk.
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Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
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Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
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Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
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And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
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A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer
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If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.
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My art is not abstract, it lives and breathes
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There is only one thing I fear in life, my friend: One day, the black will swallow the red.
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A painting is not a picture of an experience, but is the experience.
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The reason for my painting large canvases is that I want to be intimate and human.
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We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless.
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While the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done.
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There is more power in telling little than in telling all.
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If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
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I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.
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