Quote

I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.

Mark Rothko

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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
Way
Case
Feasible
Close
Largest
Ones
Painted
Cases
Floor
High
Hang
Rather
Pictures
Often
Particularly
Also
Lows

More quotes by Mark Rothko

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Without monsters and gods, art cannot enact a drama.
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A painting is not a picture of an experience, but is the experience.
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And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
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Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
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The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
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Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
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The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
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If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.
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Art to me is an anecdote of the spirit.
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Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
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A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer. It dies by the same token. It is therefore risky to send it out into the world. How often it must be impaired by the eyes of the unfeeling and the cruelty of the impotent.
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The abstract artist has given material existence to many unseen worlds and tempi.
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I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.
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The reason for my painting large canvases is that I want to be intimate and human.
Mark Rothko
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I am here to make you think. . . . I am not here to make pretty pictures!
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My art is not abstract, it lives and breathes
Mark Rothko
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A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer
Mark Rothko
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The progression of a painter’s work…will be toward clarity toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer…to achieve this clarity is, inevitably, to be understood.
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There is no such thing as good painting about nothing.
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With us the disguise must be complete. The familiar identity of things has to be pulverized in order to destroy the finite associations with which our society increasingly enshrouds every aspect of our environment.
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