Quote

I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.

Mark Rothko

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Mark Rothko
Age: 66 †
Born: 1903
Born: September 25
Died: 1970
Died: February 25
Artist
Drawer
Painter
University Teacher
Dvinsk
Marcus Rothkowitz
Ones
Painted
Cases
Floor
High
Hang
Rather
Pictures
Often
Particularly
Also
Lows
Way
Case
Feasible
Close
Largest

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I am here to make you think. . . . I am not here to make pretty pictures!
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There is more power in telling little than in telling all.
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And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
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My art is not abstract, it lives and breathes
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Many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow.
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If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.. ...(they) express something real and existing in ourselves.
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While the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done.
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A painting is not a picture of an experience, but is the experience.
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The picture must be... a revelation, an unexpected and unprecedented resolution of an eternally familiar need.
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There is only one thing I fear in life, my friend: One day, the black will swallow the red.
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The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.
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The abstract artist has given material existence to many unseen worlds and tempi.
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It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
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The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
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I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.
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Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.
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We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless.
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