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You know, that was the first time [with Any Winehouse] that I probably ever used a baritone sax. And it's certainly the texture that, you know - it's all over the record 'cause it's a nice compliment to her tone.
Mark Ronson
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Mark Ronson
Age: 49
Born: 1975
Born: September 4
Disc Jockey
Guitarist
Musician
Record Producer
Songwriter
Nottinghill
Mark Daniel Ronson
DJ Ronson
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More quotes by Mark Ronson
I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.
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I never studied jazz technically I just know and love the music.
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You have to put these hooks in it, you know? You've got to make sure you got all that ear candy in it to get it through the gate.
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Kids can make fun of you for having the wrong shoelaces: that's just kids. But I don't think I had any trouble making friends.
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And sometimes, I'd be allowed to be hanging out in the studio, which I just loved kind of, like, being in the room with these big recording desks, with all these, like, buttons and knobs and watching the guys use them.
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I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
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I remember that the bass was turned up slightly more on the mix from last week, and I thought that was good - or whatever. Like, there were some little things in there that he said that he came to, like, really enjoy my opinion or at least, like, my little comments on the songs. So I was kind of destined to probably be a studio rat.
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I guess the best thing about having a successful record like this is, like, I know I'm at least good for another five years, like, before everyone starts to like - all the haters start to come out again. And that's really what it is.
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Basically, there's a good friend of mine who works at EMI Publishing, a publishing company. He had asked me - he was like, you know, do you know this girl, Amy Winehouse? She's in New York for a day. She's kind of meeting people to maybe work with on her second album.
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You know, it's weird. It's - it hasn't really changed my life in any kind of way that I can measure. I mean, it's obviously such an insanely amazing thing. You know, none of my other records I've ever had before even broke into the top 100.
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I don't have a crazy rider clause saying I have to stay at fancy hotels. I don't have a problem with staying at a Marriott. But I will admit that I've gotten just basic, regular service there.
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My grandmother always used to wear this English perfume called Tuberose and then she died and then I dated this girl who wore the same thing. Every time I hung out with her, I could only think of my recently deceased grandmother. So sometimes a signature scent can be good and sometimes it can be bad.
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So sometimes if I'm working with a rapper, like Ghostface Killah or Nas, producing usually means, in hip-hop, that you make the music. You make the beat, and you give it to them. And they write the rhymes.
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Making music is a lifestyle go to the studio and sit in front of your computer, drum machine or guitar for 10 hours a day. The good stuff will come.
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DJing is an art that I have the utmost respect for, and I've been practising it since I was 17 years old. Doing Tom Cruise wedding-type things becomes the focal point of every interview, and you realize that you have to cut it out if you don't want to be answering questions about that.
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I think that where it came from and the initial birth of it - it did come out of a jam at Bruno's studio, you know? He was playing drums. And Jeff Bhasker, who co-produced the record with us, is on synths, and I was playing bass.
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I used to be a serious sneaker addict, but I've moved on a little bit from those days.
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I mean, my wife is always like - I don't write lyrics. So I couldn't, like, really technically write a song for anyone. I could write a very nice instrumental. So she always sort of gives me a hard time because it's just such a ridiculously impossible standard to live up to, that your step-dad wrote that song for your mom.
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I think, you know, for me, whatever I need to slot into to make that music the best it can be or help the artists, or whoever I'm working with, achieve whatever vision they have in their head for a song.
Mark Ronson
