Many artists and critics see collectors like kids see their parents: as the ones with money and power who just don't get it. Once they start to mingle with the collectors and learn that they are people who have achieved something who then expand into art, they change their minds.

The press needs stories constantly. No need to bleed, just feed. Branding will keep you standing... Get press not stress.

Out of routine comes inspiration.

I'm an artist because that's what I was best at as a kid. It was fun... I continue to be an artist... for the freedom that an art career can bring. I don't need an alarm clock and I am my own boss.

There's too much negativity in the world. Staying positive is a better investment.

It's very true that an artist who networks well will have better opportunities than one who doesn't network well. But great networking skills without great art won't change art history.

Things don't get tough in the studio. Sometimes things get tough outside the studio and going in the studio is a relief, a sanctuary, therapy.

No matter how brilliant, amusing or intelligent the creek of abstraction, Dadaism, Minimalism and Conceptualism of the 20th century was, it didn't much affect the historical river of figuration. I predict that in 50 years and in 300 years, figurative art will still be strong and important.

A female artist friend of mine recently told me that she was advised to 'look more slutty.' I asked her boyfriend what the equivalent advice for a man would be. He said to be more muscular. That made me rush to the gym.

My colors are logically chosen.

Luck plays no role in art world success. It's your own responsibility to create your success, which is a result of making thousands of constant decisions - focused, professional tenacity - day after day of keeping commitments to yourself and to those you make promises to. If you fail, it's all your fault. If you succeed, you deserve all the credit.

Do what you love. Go to a good art school and study with the best teachers. Move to New York and read Ask Mark Kostabi.

As a comic book artist, once you become a master, you end up a slave. In fine art you're always free... since I couldn't make it at Marvel, I made my life a carnival.