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I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.
Mark Knopfler
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Mark Knopfler
Age: 75
Born: 1949
Born: August 12
Film Score Composer
Guitarist
Multi-Instrumentalist
Musician
Record Producer
Singer-Songwriter
Songwriter
Glasgow
Scotland
Mark Freuder Knopfler
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A Strat was a thing of wonder .. when I was 14 or 15, the Shadows were a big influence, and they had the first Strats that came to England. I like to play all kinds of guitars, but I wasn't getting the sound I really wanted until I got a Stratocaster
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I used to go to the school folk club with my songs when I was only 13 or so and say this is a traditional folk song and sing it with a bad Irish accent to disguise the real source.
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What I always try to do is to respond to the song I've always rebelled against theory.
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There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.
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I love Gibsons, and Nationals, too. There's something magical about them.
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I just want to be able to play and make people feel good with what I do. When you're thinking that way, anything can happen. And, usually, what happens is good.
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I bad a piano long before I bad a guitar, and the practice I got just playing those three chords in a basic 12-bar blues song was very important.
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I was into playing American music, especially the blues.
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My playing is fairly straightforward, really, and everything's pretty much standard no frills or special effects.
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Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
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While listening, to things like western swing, for instance, I'd work something out in my head, then play it on my National not the same song, but one that captured the feeling of the original tune.
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Sometimes you're the windshield sometimes you're the bug.
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There's so many different worlds.
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