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Dad's Theory of Arrogance--that everyone always assumes they're the Principal Character of Desire and/or Loathing in everybody else's Broadway Play.

Marisha Pessl

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Marisha Pessl
Age: 47
Born: 1977
Born: October 26
Writer
Clarkston
Michigan
Everyone
Loathing
Desire
Broadway
Else
Principal
Character
Arrogance
Play
Assuming
Always
Dad
Theory
Everybody
Assumes

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Some people, every now and then, simply had to have One Too Many, go drifty voiced and slouch mouthed, swimming willfully around in their own sadness as if it were hot springs.
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Juliet and Romeo be damned, you can't be in love until you've flossed your teeth next to the person at least three hundred times.
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When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
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Betrayal isn't ridiculous. It's the reason empires fall.
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Show me what a man hates and I'll show you what he is.
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It was never the act itself but our own understanding of it that defeated us, over and over again.
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Just when you think you've hit rock bottom, you realize you're standing on another trapdoor.
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Because every one of us has our box, a dark chamber stowing the thing that lanced our heart. It contains what you do everything for, strive for, wound everything around you.
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In college I studied '60s and '70s radicalism, student activism, forms of political violence, groups like the Weathermen, the Black Panthers, the Symbionese Liberation Army, the New Left.
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To be next to her was to have everything.
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Funnily enough, it is the subject one dreads talking about at length one ends up talking about at length, often without the slightest provocation.
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Sovereign. Deadly. Perfect.
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I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily.
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Some people are as fragile as butterflies and sensitive and it’s your responsibility not to destroy them. Just because you can
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I was aware now, as ever, that between all people there were First Times You See Them and Last Times you See Them.
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Good bands you can kind of lose, then come back and realize they're still good.
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What, really, was the difference between something hounding you and something leading you somewhere?
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It was as if Hannah had sprung a leak and her character, usually so meticulous and contained, was spilling all over the place.
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His characters are ravaged, beaten. They walk through infernos and emerged charred doves.
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I believe writers need to be chameleons, or like Meryl Streep, who can play all sorts of characters. A good writer should be able to cross gender lines and people of all social classes. So for me, writing from a male point of view would be a great challenge, that I would look forward to taking on.
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