Quote

Dad's Theory of Arrogance--that everyone always assumes they're the Principal Character of Desire and/or Loathing in everybody else's Broadway Play.

Marisha Pessl

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Marisha Pessl
Age: 47
Born: 1977
Born: October 26
Writer
Clarkston
Michigan
Everyone
Loathing
Desire
Broadway
Else
Principal
Character
Arrogance
Play
Assuming
Always
Dad
Theory
Everybody
Assumes

More quotes by Marisha Pessl

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I'm not afraid of total failure. In the end, we're all just food for worms, so what are we so worried about?
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God, the boring relative everyone ignores--no one calls, no one writes--until they need a serious favor.
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Justice wields an erratic sword, grants mercy to fortunate few. Yet if man doesn't fight for her, 'tis chaos he's left to.
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Well, life isn't a cakewalk, is it?! Eighty-nine percent of the world's most valuable art was created by men living in rat-infested flats. You think Velásquez wore Adidas? You think he enjoyed the luxuries of central heating and twenty-four-hour pizza delivery?!
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If I scribbled a few words on a cocktail napkin and showed it to my family, they'd proclaim it astonishing and more culturally relevant than the Bible.
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It's not fair. It's not. But then, that's the game. It makes life great. The fact that it ends when we don't want it to. The ending gives it meaning.
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Such things as anguish, woe, affliction, guilt, feelings of awfulness, and utter wretchedness, the bread and butter of Days of Yore and Russians, sadly have very little staying power in these lickety-split Modern Times.
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...I couldn't let go of the thought that it had, in fact, been he, restless and moody Heathcliff. Day after day, he floated through all the Wal-Marts in America, searching for me in a million lonely aisles.
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Sovereign. Deadly. Perfect.
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Some people are as fragile as butterflies and sensitive and it’s your responsibility not to destroy them. Just because you can
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In college I studied '60s and '70s radicalism, student activism, forms of political violence, groups like the Weathermen, the Black Panthers, the Symbionese Liberation Army, the New Left.
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When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
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Life was a freight train barreling toward just one stop, our loved ones streaking past our windows in blurs of color and light. There was no holding on to any of it, and no slowing it down.
Marisha Pessl
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Making love to Aurelia was like rummaging through a card catalog in a deserted library, searching for one very obscure, little-read entry on Hungarian poetry.
Marisha Pessl
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In America, people of a certain age ask, 'Where were you when Kennedy was shot?' In my house you were more likely to be asked, 'Where were you when you first read 'The Catcher In The Rye?
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It was never the act itself but our own understanding of it that defeated us, over and over again.
Marisha Pessl
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Because every one of us has our box, a dark chamber stowing the thing that lanced our heart. It contains what you do everything for, strive for, wound everything around you.
Marisha Pessl
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Some people, every now and then, simply had to have One Too Many, go drifty voiced and slouch mouthed, swimming willfully around in their own sadness as if it were hot springs.
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It's funny how the night that changes your life forever starts out like all the others.
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I was aware now, as ever, that between all people there were First Times You See Them and Last Times you See Them.
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