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I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
Marina Abramovic
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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Need
Cities
Needs
Happiness
Bridge
Way
Perfect
Cars
Think
Bigs
Bridges
Thinking
Lost
Center
Art
Ten
Nature
Car
Without
Absolutely
More quotes by Marina Abramovic
I had such an intense relationship to every person. I still see people on the street and we lock eyes, and say Oh my god! and we just kiss and stay like that and sometimes cry.
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If we go for the easy way, then we never change.
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I think communication starts when words are not present at all ... I think we put so much emphasis on language, actually silence is so much more important.
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We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.
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If you look at the lives of artists, sitting in nature, painting, having the freedom. I think it's over. I think we're living in such a difficult moment of human development. Artists have more responsibility than ever before.
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Galás is a great artist with a very powerful voice.
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Today, our attention is less than the television advertisement. We're looking at six or seven problems constantly. We're living in the disturbed societies of cities. I think modern technology is one of the worst things human beings have invented.
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First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
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If you have to do durational work, you have to train! No bullshit. You can't do it for three months. You can do it for five hours, 10 hours, and then you have three months rest. If this is your job, you have to be flexible.
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Don't even ask me why. I do not know, I have no answer to this insane behaviour.
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When Lady Gaga says I am her inspiration, you reach kids between 12 and 18. Now I am like a brand - jeans, Coca-Cola.
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Zooming in, zooming out. I was shocked. I said, Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera. He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
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But what is art other than revealing human nature?
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Most artists create foundations where they put their own work. Here I'm not putting my own work. I'm just creating the chambers.
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I'm interested in utopian communities of the past. Many of them didn't survive and I'm examining closely the reasons they failed.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.
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I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him it was so young. I did the piece and immediately after the piece, I wanted to see the material.
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I really like dark, politically incorrect humor.
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If you are really true to yourself and really follow your intuition in the most rigorous way, there is a moment that becomes universal, that reaches everybody. That’s the real magic of Björk-she teaches us the courage to be ourselves.
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