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Western culture has more need because they're so much more degenerated. They're so much more hurt, and misbalanced completely.

Marina Abramovic

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Marina Abramovic
Age: 78
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Much
Degenerated
Western
Completely
Hurt
Culture
Need
Needs

More quotes by Marina Abramovic

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My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.'
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Happiness comes from the full understanding of your own being.
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I think if people raise their consciousness and find a purpose, everybody will be helped.
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I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
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If you have to do durational work, you have to train! No bullshit. You can't do it for three months. You can do it for five hours, 10 hours, and then you have three months rest. If this is your job, you have to be flexible.
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Being an artist is not easy - I have always said that to the students I have taught over the years. It's a huge sacrifice.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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I never say Serbia. I always say I come from a country that no longer exists.
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Typically, the performance has a story - a beginning, the crescendo and the end.
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I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him it was so young. I did the piece and immediately after the piece, I wanted to see the material.
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An artist has to look at the future, to see what we can do better.
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You know the movie Rashomon from [Takeshi] Kurosawa, when all the people in the forest see something different? Each performance was like that.
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Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.
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My work is immaterial. It's not painting, it's not sculpture, it's emotions. I'm giving you something to experience yourself.
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I don't know anything about the afterlife because I haven't been there yet.
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I always do big birthday things. In three years, I'm 70. I'm going to do something outrageous. In America, everyone's always hiding their age.
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We're destroying the planet, and the planet rebels.
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I'm talking about intellectually and emotionally challenging, but at the same time it's actually not that challenging. So there's this dichotomy.
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You know, everyone is always talking about plastic surgery, or the technology, what to do. I really think it's important to help yourself with the technology if you want to feel better, but I am absolutely against any kind of monstrous cuts of the body, lifting that is beyond recognition, this kind of stuff.
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If you are really true to yourself and really follow your intuition in the most rigorous way, there is a moment that becomes universal, that reaches everybody. That’s the real magic of Björk-she teaches us the courage to be ourselves.
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