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Western culture has more need because they're so much more degenerated. They're so much more hurt, and misbalanced completely.

Marina Abramovic

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Marina Abramovic
Age: 78
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Western
Completely
Hurt
Culture
Need
Needs
Much
Degenerated

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People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't it's impossible.
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I just want to create situations where people forget time.
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I've always asked myself since I was young, what is my duty on this planet? What am I there for? Just to hang around? Everybody must have some purpose.
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Art comes from life, not from the studio
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It was incredible, Lady Gaga came to see the piece. She didn't sit with me, but it was all atwitter. Every single kid from 12 to 18 ran to see Lady Gaga and then Lady Gaga left and they stayed. And they stayed another day another day and it created a completely different culture, a different audience that I never had before.
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But what is art other than revealing human nature?
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When you have so much pain, you think you will lose consciousness. If you say to yourself, ‘So what, lose consciousness,’ the pain goes away.
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We don't have politicians with dignity and morals. We never have, not since [Nelson] Mandela and [Mahatma ] Gandhi. It's really rare.
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You know, everyone is always talking about plastic surgery, or the technology, what to do. I really think it's important to help yourself with the technology if you want to feel better, but I am absolutely against any kind of monstrous cuts of the body, lifting that is beyond recognition, this kind of stuff.
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I think if people raise their consciousness and find a purpose, everybody will be helped.
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Talking about [Donald] Trump, there's nothing wrong with Trump. He's who he is. It's wrong with us, who let him [win]. That's what's wrong. It's not that he's going to change, but the people who think like him.
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The hardest thing to do is something that is close to nothing.
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Don't even ask me why. I do not know, I have no answer to this insane behaviour.
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I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.
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In every culture, [there are those] shamans or medicine men who endured incredible physical pain, because it's a door opening to the subconsciousness. And the way we can actually control the pain -- it's how to control everything. This is the key.
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Once you live in New York, you can't live anywhere else. Living in Paris is like going in slow motion. It's so bourgeois. I get so bored.
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When you have a nonverbal conversation with a total stranger, then he cant cover himself with words, he cant create a wall.
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I hate kitchens. I don't understand these enormous American kitchens that take up half the living room and then they just order pizza.
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When I did Seven Easy Pieces, I actually re-performed the performances of other artists. It was such difficult work because I had to really go through the documentation, look through the sources, to ask the witnesses who saw it.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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