Quote

I'm talking about intellectually and emotionally challenging, but at the same time it's actually not that challenging. So there's this dichotomy.

Marina Abramovic

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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Challenges
Talking
Actually
Time
Dichotomy
Intellectually
Emotionally
Challenging

More quotes by Marina Abramovic

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Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.
Marina Abramovic
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If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.
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I made a tape recording of a bridge collapsing and I wanted to play it suddenly and very loudly when people were walking over a big bridge in Belgrade. The council forbid it. Their imagination is tiny mine is big. I want always to shake everything up.
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I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.
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There's nothing more tragic than artists from the 70s still doing art from the 70s.
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I always sent my mother all these huge books I made. When my mother died, I was cleaning her cupboard, and these big books were only 20 pages long. She edited out, maybe burned, every single photograph where I'm naked.
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I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
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When you're 50, the best thing to do is dance the Argentinean tango.
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We, performers, work on willpower. This willpower works in a short term, not durational.
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I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
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I had such an intense relationship to every person. I still see people on the street and we lock eyes, and say Oh my god! and we just kiss and stay like that and sometimes cry.
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My work is immaterial. It's not painting, it's not sculpture, it's emotions. I'm giving you something to experience yourself.
Marina Abramovic
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I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him it was so young. I did the piece and immediately after the piece, I wanted to see the material.
Marina Abramovic
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We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.
Marina Abramovic
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Art comes from life, not from the studio
Marina Abramovic
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You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many different things. Because we forgot there was emotions involved.
Marina Abramovic
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We don't have politicians with dignity and morals. We never have, not since [Nelson] Mandela and [Mahatma ] Gandhi. It's really rare.
Marina Abramovic
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You should see ballerinas' feet. They don't have nails. You see beauty, but it's unbelievable pain - with a 40-year pension! That's it, and then life is really finished.
Marina Abramovic
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In every culture, [there are those] shamans or medicine men who endured incredible physical pain, because it's a door opening to the subconsciousness. And the way we can actually control the pain -- it's how to control everything. This is the key.
Marina Abramovic
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Time is an illusion. Time only exists when we think about the past and the future. Time doesn't exist in the present here and now.
Marina Abramovic