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Typically, the performance has a story - a beginning, the crescendo and the end.

Marina Abramovic

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Marina Abramovic
Age: 78
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Typically
Performance
Performances
Beginning
Story
Ends
Stories
Crescendo

More quotes by Marina Abramovic

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We, performers, work on willpower. This willpower works in a short term, not durational.
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The only way to change consciousness and the world around us is to start with yourself.
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People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't it's impossible.
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Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.
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Time is an illusion. Time only exists when we think about the past and the future. Time doesn't exist in the present here and now.
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I had a very difficult relationship with my mother. She used to wake me up in the middle of the night if I wasn't sleeping straight and was messing up the sheets. Now when I stay in hotels I sleep so straight they don't even think I've used the bed.
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To control the breathing is to control the mind. With different patterns of breathing, you can fall in love, you can hate someone, you can feel the whole spectrum of feelings just by changing your breathing.
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Your ego can become an obstacle to your work. If you start believing in your greatness, it is the death of your creativity.
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Cancer is an emotional disease.
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An artist has to look at the future, to see what we can do better.
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I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
Marina Abramovic
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I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him it was so young. I did the piece and immediately after the piece, I wanted to see the material.
Marina Abramovic
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I made a tape recording of a bridge collapsing and I wanted to play it suddenly and very loudly when people were walking over a big bridge in Belgrade. The council forbid it. Their imagination is tiny mine is big. I want always to shake everything up.
Marina Abramovic
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I didn't get paid for performances most of my life. If I did, I would be billionaire now, and I'm not.
Marina Abramovic
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First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
Marina Abramovic
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Why not do something strange and different for once? Artists can do whatever they want!
Marina Abramovic
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When you have so much pain, you think you will lose consciousness. If you say to yourself, ‘So what, lose consciousness,’ the pain goes away.
Marina Abramovic
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My work is immaterial. It's not painting, it's not sculpture, it's emotions. I'm giving you something to experience yourself.
Marina Abramovic
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I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
Marina Abramovic
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I had so much fear of blood, and the first thing I did was to cut myself to see what happens. That's the only way to rebuild yourself.
Marina Abramovic