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In every ancient culture, there are rituals to mortify the body as a way of understanding that the energy of the soul is indestructible.

Marina Abramovic

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Marina Abramovic
Age: 78
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Soul
Indestructible
Every
Rituals
Way
Ritual
Ancient
Understanding
Energy
Culture
Body
Mortify

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But what is art other than revealing human nature?
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People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't it's impossible.
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If you look at the lives of artists, sitting in nature, painting, having the freedom. I think it's over. I think we're living in such a difficult moment of human development. Artists have more responsibility than ever before.
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I have always staged my fears as a way to transcend them.
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Your ego can become an obstacle to your work. If you start believing in your greatness, it is the death of your creativity.
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Americans don't like European movies.
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If you are really true to yourself and really follow your intuition in the most rigorous way, there is a moment that becomes universal, that reaches everybody. That’s the real magic of Björk-she teaches us the courage to be ourselves.
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I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him it was so young. I did the piece and immediately after the piece, I wanted to see the material.
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I really like dark, politically incorrect humor.
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I just want to create situations where people forget time.
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I made a tape recording of a bridge collapsing and I wanted to play it suddenly and very loudly when people were walking over a big bridge in Belgrade. The council forbid it. Their imagination is tiny mine is big. I want always to shake everything up.
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When you have so much pain, you think you will lose consciousness. If you say to yourself, ‘So what, lose consciousness,’ the pain goes away.
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Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.
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If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.
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Talking about performance is such a strange thing because it's so immaterial. We are talking about soft matter. We are talking about something that is invisible. You can't see it. You can't touch it. You just can feel it.
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The most revolutionary ideas are not sellable, but only mind-changing.
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I always sent my mother all these huge books I made. When my mother died, I was cleaning her cupboard, and these big books were only 20 pages long. She edited out, maybe burned, every single photograph where I'm naked.
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I believe so much in the power of performance I don't want to convince people. I want them to experience it and come away convinced on their own.
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I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.
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First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
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