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Every party is the same, too many people, too little food, and you have to wait around. I'm extremely bored with parties.
Marina Abramovic
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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Little
Extremely
Many
Bored
Every
Wait
People
Food
Waiting
Party
Around
Littles
Parties
More quotes by Marina Abramovic
When Lady Gaga says I am her inspiration, you reach kids between 12 and 18. Now I am like a brand - jeans, Coca-Cola.
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You know, everyone is always talking about plastic surgery, or the technology, what to do. I really think it's important to help yourself with the technology if you want to feel better, but I am absolutely against any kind of monstrous cuts of the body, lifting that is beyond recognition, this kind of stuff.
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Most artists create foundations where they put their own work. Here I'm not putting my own work. I'm just creating the chambers.
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I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him it was so young. I did the piece and immediately after the piece, I wanted to see the material.
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In every ancient culture, there are rituals to mortify the body as a way of understanding that the energy of the soul is indestructible.
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The hardest thing to do is something that is close to nothing.
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Cancer is an emotional disease.
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Today, our attention is less than the television advertisement. We're looking at six or seven problems constantly. We're living in the disturbed societies of cities. I think modern technology is one of the worst things human beings have invented.
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There's nothing more tragic than artists from the 70s still doing art from the 70s.
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The most revolutionary ideas are not sellable, but only mind-changing.
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My work is immaterial. It's not painting, it's not sculpture, it's emotions. I'm giving you something to experience yourself.
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We, performers, work on willpower. This willpower works in a short term, not durational.
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First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
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To control the breathing is to control the mind. With different patterns of breathing, you can fall in love, you can hate someone, you can feel the whole spectrum of feelings just by changing your breathing.
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In my work I have complete control, but about my life, I don't want to.
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People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't it's impossible.
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If we go for the easy way, then we never change.
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I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
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I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
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If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.
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