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But what is art other than revealing human nature?

Marina Abramovic

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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Nature
Human
Humans
Revealing
Art

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The body has an enormous power of healing, if you really believe you are going to be healed, you're going to be healed. If you really believe you're going to die, you're going to die. If you apply this kind of method to everything, then there is hope.
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You should see ballerinas' feet. They don't have nails. You see beauty, but it's unbelievable pain - with a 40-year pension! That's it, and then life is really finished.
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A great artist has to be ready to fail.
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Why not do something strange and different for once? Artists can do whatever they want!
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If you have to do durational work, you have to train! No bullshit. You can't do it for three months. You can do it for five hours, 10 hours, and then you have three months rest. If this is your job, you have to be flexible.
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Today, our attention is less than the television advertisement. We're looking at six or seven problems constantly. We're living in the disturbed societies of cities. I think modern technology is one of the worst things human beings have invented.
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I am obsessive always, even as a child. On one side is this strict orthodox religion, on the other is communism, and I am this little girl pulled between the two. It makes me who I am. It turns me into the kind of person that Freud would have a field day with, for sure.
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Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.
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We, performers, work on willpower. This willpower works in a short term, not durational.
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Galás is a great artist with a very powerful voice.
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When you're 50, the best thing to do is dance the Argentinean tango.
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Art comes from life, not from the studio
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If you are really true to yourself and really follow your intuition in the most rigorous way, there is a moment that becomes universal, that reaches everybody. That’s the real magic of Björk-she teaches us the courage to be ourselves.
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With classical ballet you are literally injuring yourself.
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I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.
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Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.
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You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many different things. Because we forgot there was emotions involved.
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You know the movie Rashomon from [Takeshi] Kurosawa, when all the people in the forest see something different? Each performance was like that.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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We're destroying the planet, and the planet rebels.
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