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With classical ballet you are literally injuring yourself.

Marina Abramovic

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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Injuring
Classical
Ballet
Literally

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I never say Serbia. I always say I come from a country that no longer exists.
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I'm talking about intellectually and emotionally challenging, but at the same time it's actually not that challenging. So there's this dichotomy.
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I am obsessive always, even as a child. On one side is this strict orthodox religion, on the other is communism, and I am this little girl pulled between the two. It makes me who I am. It turns me into the kind of person that Freud would have a field day with, for sure.
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I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.
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A great artist has to be ready to fail.
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I've always asked myself since I was young, what is my duty on this planet? What am I there for? Just to hang around? Everybody must have some purpose.
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When you have so much pain, you think you will lose consciousness. If you say to yourself, ‘So what, lose consciousness,’ the pain goes away.
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If we go for the easy way, then we never change.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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You should see ballerinas' feet. They don't have nails. You see beauty, but it's unbelievable pain - with a 40-year pension! That's it, and then life is really finished.
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Television is completely another medium. For me, Lady Gaga and HBO are bringing us to mass culture.
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Time is an illusion. Time only exists when we think about the past and the future. Time doesn't exist in the present here and now.
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We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.
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When Lady Gaga says I am her inspiration, you reach kids between 12 and 18. Now I am like a brand - jeans, Coca-Cola.
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If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.
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Cancer is an emotional disease.
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My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.'
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I had so much fear of blood, and the first thing I did was to cut myself to see what happens. That's the only way to rebuild yourself.
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It was incredible, Lady Gaga came to see the piece. She didn't sit with me, but it was all atwitter. Every single kid from 12 to 18 ran to see Lady Gaga and then Lady Gaga left and they stayed. And they stayed another day another day and it created a completely different culture, a different audience that I never had before.
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I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
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