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With classical ballet you are literally injuring yourself.

Marina Abramovic

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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Injuring
Classical
Ballet
Literally

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Time is an illusion. Time only exists when we think about the past and the future. Time doesn't exist in the present here and now.
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When you're 50, the best thing to do is dance the Argentinean tango.
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I had so much fear of blood, and the first thing I did was to cut myself to see what happens. That's the only way to rebuild yourself.
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Art comes from life, not from the studio
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Dali Lama said, 'when you open the heart of the person with humor, you can tell him the most truth. But if you tell him truth without humor, the heart closes.'
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Most people are more comfortable with what is familiar. I’ve spent my life doing the opposite.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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You know, James Franco is one of the most interesting figures because he has no rules. He breaks all the borders.
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Television is completely another medium. For me, Lady Gaga and HBO are bringing us to mass culture.
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The body has an enormous power of healing, if you really believe you are going to be healed, you're going to be healed. If you really believe you're going to die, you're going to die. If you apply this kind of method to everything, then there is hope.
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I serve like a bridge. I go to other cultures, learn, put myself in different situations and learn as much as I can, and then go to Western cultures to give. I'm doing this bridging all the time.
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Why not do something strange and different for once? Artists can do whatever they want!
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Western culture has more need because they're so much more degenerated. They're so much more hurt, and misbalanced completely.
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Typically, the performance has a story - a beginning, the crescendo and the end.
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People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't it's impossible.
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If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.
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If you look at the lives of artists, sitting in nature, painting, having the freedom. I think it's over. I think we're living in such a difficult moment of human development. Artists have more responsibility than ever before.
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If you're a baker, making bread, you're a baker. If you make the best bread in the world, you're not an artist, but if you bake the bread in the gallery, you're an artist. So the context makes the difference.
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