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I'm interested in utopian communities of the past. Many of them didn't survive and I'm examining closely the reasons they failed.

Marina Abramovic

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Marina Abramovic
Age: 78
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Didn
Examining
Past
Closely
Reason
Communities
Many
Failed
Survive
Reasons
Interested
Community
Utopian

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Typically, the performance has a story - a beginning, the crescendo and the end.
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I am obsessive always, even as a child. On one side is this strict orthodox religion, on the other is communism, and I am this little girl pulled between the two. It makes me who I am. It turns me into the kind of person that Freud would have a field day with, for sure.
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If you have to do durational work, you have to train! No bullshit. You can't do it for three months. You can do it for five hours, 10 hours, and then you have three months rest. If this is your job, you have to be flexible.
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Americans don't like European movies.
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In my work I have complete control, but about my life, I don't want to.
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Talking about performance is such a strange thing because it's so immaterial. We are talking about soft matter. We are talking about something that is invisible. You can't see it. You can't touch it. You just can feel it.
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Art comes from life, not from the studio
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In every ancient culture, there are rituals to mortify the body as a way of understanding that the energy of the soul is indestructible.
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Zooming in, zooming out. I was shocked. I said, Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera. He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
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The hardest thing to do is something that is close to nothing.
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A great artist has to be ready to fail.
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It was incredible, Lady Gaga came to see the piece. She didn't sit with me, but it was all atwitter. Every single kid from 12 to 18 ran to see Lady Gaga and then Lady Gaga left and they stayed. And they stayed another day another day and it created a completely different culture, a different audience that I never had before.
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When Lady Gaga says I am her inspiration, you reach kids between 12 and 18. Now I am like a brand - jeans, Coca-Cola.
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We, performers, work on willpower. This willpower works in a short term, not durational.
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I always sent my mother all these huge books I made. When my mother died, I was cleaning her cupboard, and these big books were only 20 pages long. She edited out, maybe burned, every single photograph where I'm naked.
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I had a very difficult relationship with my mother. She used to wake me up in the middle of the night if I wasn't sleeping straight and was messing up the sheets. Now when I stay in hotels I sleep so straight they don't even think I've used the bed.
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I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
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Happiness comes from the full understanding of your own being.
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For me, the most difficult piece is the one I'm about to make.
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An artist has to look at the future, to see what we can do better.
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