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Even now, I have traces of the good little girl. When I am not performing, for instance, I am really very quiet and ordinary.

Marina Abramovic

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Marina Abramovic
Age: 77
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Littles
Little
Even
Traces
Really
Performing
Good
Instance
Ordinary
Quiet
Girl

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An artist should not fall in love with another artist.
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I have found that long durational art is really the key to changing consciousness. On such a deep level. Not just the performer, but the one looking at it.
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If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.
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I think communication starts when words are not present at all ... I think we put so much emphasis on language, actually silence is so much more important.
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I always do big birthday things. In three years, I'm 70. I'm going to do something outrageous. In America, everyone's always hiding their age.
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If you are really true to yourself and really follow your intuition in the most rigorous way, there is a moment that becomes universal, that reaches everybody. That’s the real magic of Björk-she teaches us the courage to be ourselves.
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I believe so much in the power of performance I don't want to convince people. I want them to experience it and come away convinced on their own.
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You should see ballerinas' feet. They don't have nails. You see beauty, but it's unbelievable pain - with a 40-year pension! That's it, and then life is really finished.
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I don't know anything about the afterlife because I haven't been there yet.
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In every culture, [there are those] shamans or medicine men who endured incredible physical pain, because it's a door opening to the subconsciousness. And the way we can actually control the pain -- it's how to control everything. This is the key.
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Don't even ask me why. I do not know, I have no answer to this insane behaviour.
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The body has an enormous power of healing, if you really believe you are going to be healed, you're going to be healed. If you really believe you're going to die, you're going to die. If you apply this kind of method to everything, then there is hope.
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The only way to change consciousness and the world around us is to start with yourself.
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Typically, the performance has a story - a beginning, the crescendo and the end.
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Galás is a great artist with a very powerful voice.
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The public is in need of experiences that are not just voyeuristic. Our society is in a mess of losing its spiritual centre.
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I didn't get paid for performances most of my life. If I did, I would be billionaire now, and I'm not.
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We don't have politicians with dignity and morals. We never have, not since [Nelson] Mandela and [Mahatma ] Gandhi. It's really rare.
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There's nothing more tragic than artists from the 70s still doing art from the 70s.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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