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Your ego can become an obstacle to your work. If you start believing in your greatness, it is the death of your creativity.
Marina Abramovic
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Marina Abramovic
Age: 78
Born: 1946
Born: November 30
Artist
Film Director
Film Producer
Performance Artist
Performing Artist
Photographer
Photojournalist
Scenographer
Sculptor
Sound Artist
Belgrade
Serbia
Marina Abramovic
Marina Abramoviæ
Marina Abramovicz
M. Abramovic
Work
Believing
Believe
Ego
Obstacles
Greatness
Creativity
Start
Death
Become
Obstacle
More quotes by Marina Abramovic
Once you live in New York, you can't live anywhere else. Living in Paris is like going in slow motion. It's so bourgeois. I get so bored.
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All my inspiration comes from life. That's how it never stops, in a way.
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When Lady Gaga says I am her inspiration, you reach kids between 12 and 18. Now I am like a brand - jeans, Coca-Cola.
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In every culture, [there are those] shamans or medicine men who endured incredible physical pain, because it's a door opening to the subconsciousness. And the way we can actually control the pain -- it's how to control everything. This is the key.
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You should see ballerinas' feet. They don't have nails. You see beauty, but it's unbelievable pain - with a 40-year pension! That's it, and then life is really finished.
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We, performers, work on willpower. This willpower works in a short term, not durational.
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I always sent my mother all these huge books I made. When my mother died, I was cleaning her cupboard, and these big books were only 20 pages long. She edited out, maybe burned, every single photograph where I'm naked.
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Typically, the performance has a story - a beginning, the crescendo and the end.
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We don't have politicians with dignity and morals. We never have, not since [Nelson] Mandela and [Mahatma ] Gandhi. It's really rare.
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My work is immaterial. It's not painting, it's not sculpture, it's emotions. I'm giving you something to experience yourself.
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You know, art is very emotional business. But mostly it becomes not emotional, the fabric of commodity. It becomes business. It becomes so many different things. Because we forgot there was emotions involved.
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Americans don't like European movies.
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In my work I have complete control, but about my life, I don't want to.
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I had such an intense relationship to every person. I still see people on the street and we lock eyes, and say Oh my god! and we just kiss and stay like that and sometimes cry.
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I have always staged my fears as a way to transcend them.
Marina Abramovic
My grandmother, when she looked at American movies, she said, 'They're all the same. In the first scene somebody shoots somebody and then everybody makes phone calls.'
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With classical ballet you are literally injuring yourself.
Marina Abramovic
Performance has to be mainstream art. This is what I'm fighting for.
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Zooming in, zooming out. I was shocked. I said, Let's erase this right now, put the camera behind the stage and I'll do the performance just for the camera. He set up everything and I told him to go outside and smoke a cigarette. Come back when I finish. Don't touch the camera. This was the way how I've done most everything after that.
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When you have so much pain, you think you will lose consciousness. If you say to yourself, ‘So what, lose consciousness,’ the pain goes away.
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