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I felt so full of love for everything. But at the same time, I felt so hung out there to dry, like nobody could ever understand. I felt so alone in this world, and so loved at the same time.

Maria Semple

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Maria Semple
Age: 60
Born: 1964
Born: May 21
Novelist
Screenwriter
Television Producer
Writer
Santa Monica
California
Maria Keogh Semple
Felt
Ever
Dry
Everything
Hung
Time
Nobody
Love
Loved
Life
Full
Like
Alone
World
Understand

More quotes by Maria Semple

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I want find a part of myself that I feel shame about, or that I feel really scared of exposing to the world.
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You bet your bindi that’s how big I want it.
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I think one of the good things about writing novels is that you always start from scratch.
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When your eyes are softly focused on the horizon for sustained periods, your brain releases endorphins. It's the same as a runner's high. These days, we spend our lives staring at screens twelve inches in front of us.
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Your mission statement says Galer Street is based on global connectitude. (You people don't just think outside the box, you think outside the dictionary!)
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Being in writers' rooms turns you feral. You are swearing, you are going to very dark, mean places. You start out in the room with all these smart people, and you're all well-read and well-educated and the humor is really erudite. And then over the course of the year, after the production schedule grinds you down, it is just so mean and stupid.
Maria Semple
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You come out into the world after a season of TV and you're just swearing and saying mean things to people and they're looking at you like, Who are you? And oh yeah, you think, I have to reacclimate to the way people genuinely treat each other.
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I love the camaraderie of a writers' room.
Maria Semple
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I'll see something awful on the street and I'll come home and say to my boyfriend, I just saw the funniest thing on the street. It's a stance. It's the way I was born, or the way I was damaged.
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I'm not too good when exposed to people
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I got a huge knot in my stomach because if Antarctica could talk, it would be saying only one thing: you don't belong here. (277)
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I spend my whole life trying to put up a front to prevent people from seeing certain parts of me. Weirdly, when I go to write, I feel like I have to expose it, almost compulsively.
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I keep an elaborate calendar for my characters detailing on which dates everything happens. Im constantly revising this as I go along. It gives me the freedom to intricately plot my story, knowing it will at least hold up on a timeline.
Maria Semple
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The sooner you learn it's on you to make life interesting, the better off you'll be.
Maria Semple
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Breezy, sophisticated, hilarious, rude and aching with sweetness: LOVE, NINA might be the most charming book I've ever read.
Maria Semple
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What's this? She pulled out a card and held it away from her face. I can't read what it says. I took it from her and read it aloud. 1. Beeber Bifocal 2. Twenty Mile House 3. Bee 4. Your escape Fourteen miracles to go.
Maria Semple
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I think thats the most important job of a novelist - to bring authority to their writing.
Maria Semple
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One of the main reasons I don't like leaving the house is because I might find myself face to face with a Canadian.
Maria Semple
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Maggie Shipstead's prose is so graceful and muscular, so dazzling, so sure-handed and fearless, that at times I had to remind myself to breathe. Astonish Me is a treasure of small surprises.
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After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!
Maria Semple