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I got a huge knot in my stomach because if Antarctica could talk, it would be saying only one thing: you don't belong here. (277)

Maria Semple

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Maria Semple
Age: 60
Born: 1964
Born: May 21
Novelist
Screenwriter
Television Producer
Writer
Santa Monica
California
Maria Keogh Semple
Saying
Talk
Thing
Antarctica
Would
Knot
Knots
Stomach
Belong
Huge

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Maggie Shipstead's prose is so graceful and muscular, so dazzling, so sure-handed and fearless, that at times I had to remind myself to breathe. Astonish Me is a treasure of small surprises.
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Maybe that’s what religion is, hurling yourself off a cliff and trusting that something bigger will take care of you and carry you to the right place.
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When your eyes are softly focused on the horizon for sustained periods, your brain releases endorphins. It's the same as a runner's high. These days, we spend our lives staring at screens twelve inches in front of us.
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One of the main reasons I don't like leaving the house is because I might find myself face to face with a Canadian.
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Being in writers' rooms turns you feral. You are swearing, you are going to very dark, mean places. You start out in the room with all these smart people, and you're all well-read and well-educated and the humor is really erudite. And then over the course of the year, after the production schedule grinds you down, it is just so mean and stupid.
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I'm not too good when exposed to people
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Breezy, sophisticated, hilarious, rude and aching with sweetness: LOVE, NINA might be the most charming book I've ever read.
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I love the camaraderie of a writers' room.
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I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn't fall, because Mom was in the world.
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I spend my whole life trying to put up a front to prevent people from seeing certain parts of me. Weirdly, when I go to write, I feel like I have to expose it, almost compulsively.
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I felt so full of love for everything. But at the same time, I felt so hung out there to dry, like nobody could ever understand. I felt so alone in this world, and so loved at the same time.
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You bet your bindi that’s how big I want it.
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I'd say I never considered myself a great architect. I'm more of a creative problem solver with good taste and a soft spot for logistical nightmares.
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I think thats the most important job of a novelist - to bring authority to their writing.
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Hovering over me was the Chihuly chandelier. Chihulys are the pigeons of Seattle. They're everywhere and even if they don't get in your way, you can't help but build up a kind of antipathy toward them.
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Unfortunately Seattle is my muse, for the better or worse of Seattle - I'm not sure.
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After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!
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My day is not that fun-filled or that filled usually with complications.
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Your mission statement says Galer Street is based on global connectitude. (You people don't just think outside the box, you think outside the dictionary!)
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I think one of the good things about writing novels is that you always start from scratch.
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