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I suddenly remember something I've been told about fear. That amid a hail of machine gun fire you notice the existence of your skin.

Marguerite Duras

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Marguerite Duras
Age: 81 †
Born: 1914
Born: April 4
Died: 1996
Died: March 3
Author
Autobiographer
Feminist
Film Director
Journalist
Novelist
Philosopher
Playwright
Poet Lawyer
Publisher
Screenwriter
Writer
Gia Định Province
Marguerite Donnadieu
Marguerite Germaine Marie Donnadieu
Something
Gun
Suddenly
Machines
Amid
Told
Hail
Fire
Notice
Existence
Machine
Fear
Skin
Remember
Skins

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The thing that's between us is fascination, and the fascination resides in our being alike. Whether you're a man or a woman, the fascination resides in finding out that we're alike.
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I believe that always, or almost always, in all childhoods and in all the lives that follow them, the mother represents madness. Our mothers always remain the strangest, craziest people we've ever met.
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Drinking isn't necessarily the same as wanting to die. But you can't drink without thinking you're killing yourself.
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No other human being, no woman, no poem or music, book or painting can replace alcohol in its power to give man the illusion of real creation.
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I've known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you're more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.
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There are many women who write as they think they should write - to imitate men and make a place for themselves in literature.
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Some people are like that - closed - they can't learn from anyone. Us, for example, we can't learn anything, neither I from you nor you from me, nor from anyone, nor from anything, nor from what happens.
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We, her children, are heroic, dersperate.
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A prolonged silence ensues. The reason for the silence is our growing interest one for the other. No one is aware of it, no one yet no one? am I quite sure?
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She says people ought to learn to live like them, with the body abandoned in a wilderness, and in the mind the memory of a single kiss, a single word, a single look to stand for a whole love.
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Nowhere is one more alone than in Paris ... and yet surrounded by crowds. Nowhere is one more likely to incur greater ridicule. And no visit is more essential.
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The best way to fill time is to waste it.
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I know it's not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction of costliness of their finery. I know the problem lies elsewhere. I don't know where. I only know it isn't where women think.
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People come to Paris, to the capital, to give their lives a sense of belonging, of an almost mythical participation in society.
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It has been my face. It's got older still, or course, but less, comparatively, than it would otherwise have done. It's scored with deep, dry wrinkles, the skin is cracked. But my face hasn't collapsed, as some with fine feature have done. It's kept the same contours, but its substance has been laid waste. I have a face laid waste.
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He says he’s lonely, horribly lonely because of this love he feels for her. She says she’s lonely too. She doesn’t say why.
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Journalism without a moral position is impossible. Every journalist is a moralist. It's absolutely unavoidable.
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Before they're plumbers or writers or taxi drivers or unemployed or journalists, before everything else, men are men. Whether heterosexual or homosexual. The only difference is that some of them remind you of it as soon as you meet them, and others wait for a little while.
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The house a woman creates is a Utopia. She can't help it - can't help trying to interest her nearest and dearest not in happiness itself but in the search for it.
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I don't have general views about anything, except social injustice.
Marguerite Duras