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Nobody can live on a bridge or plant potatoes but it is fine for comings and goings, meetings, partings and long views and a real connection to someplace else where you may in the crazy weathers of struggle how and again want to be.

Marge Piercy

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Marge Piercy
Age: 88
Born: 1936
Born: March 31
Activist
Climate Activist
Feminist
Novelist
Poet
Science Fiction Writer
Writer
Detroit
Michigan
Real
Nobody
Potatoes
Long
Fine
Bridge
Views
Bridges
Partings
Struggle
Connection
Weathers
Crazy
Weather
Comings
Else
Meetings
Goings
May
Connections
Someplace
Live
Plant
Parting

More quotes by Marge Piercy

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You are built to pull a cart, to lift a heavy load and bear it, to haul up the long slope, and so am I, peasant bodies, earthy, solid shapely dark glazed clay pots that can stand on the fire.
Marge Piercy
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There are obviously a great many ways to organize some fraction of the material in a life.
Marge Piercy
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A strong woman is a woman at work, cleaning out the cesspool of the ages, and while she shovels, she talks about how she doesn't mind crying, it opens the ducts of the eyes, and throwing up develops the stomach muscles, and she goes on shoveling with tears in her nose.
Marge Piercy
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Doorways are sacred to women for we are the doorways of life and we must choose what comes in and what goes out.
Marge Piercy
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What a richly colored strong warm coat is woven when love is the warp and work is the woof.
Marge Piercy
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I have no connections here only gusty collisions, rootless seedlings forced into bloom, that collapse. ... I am the Visiting Poet: a real unicorn, a wind-up plush dodo, a wax museum of the Movement. People want to push the buttons and see me glow.
Marge Piercy
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We lie in each other's arms eyes shut and fingers open and all the colors of the world pass through our bodies like strings of fire.
Marge Piercy
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Art is a game only if you playat it, a mirror that reflects from the inside out.
Marge Piercy
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Suspense is one of the ways you persuade a reader to become engaged and stay engaged with your work.
Marge Piercy
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I don't find that writing about parts of my life had much effect except in some cases to improve my memory. To get into parts of the past I want to recall very vividly, I use a form of directed meditation.
Marge Piercy
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Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all.
Marge Piercy
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Looking at my life was very difficult. I think I learned that I haven't been as good a person as I'm inclined to think of myself as. I haven't been as good friend, haven't been as good a person, made a lot of mistakes.
Marge Piercy
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I said, I like my life. If Ihave to give it back, if theytake it from me, let me onlynot feel I wasted any, let menot feel I forgot to love anyoneI meant to love, that I forgotto give what I held in my hands,that I forgot to do some littlepiece of the work that wantedto come through.
Marge Piercy
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The price of seeing is silence.
Marge Piercy
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Live as if you liked yourself, and it may happen: reach out, keep reaching out, keep bringing in. This is how we are going to live for a long time: not always, for every gardener knows that after the digging, after the planting, after the long season of tending and growth, the harvest comes.
Marge Piercy
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Whatever is not an energy source, is an energy sink.
Marge Piercy
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A new idea is rarely born like Venus attended by graces. More commonly it's modeled of baling wire and acne. More commonly it wheezes and tips over.
Marge Piercy
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The real writer is one who really writes.
Marge Piercy
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Sometimes when a character in a novel is difficult for me to enter, I sue something in myself or in my own life as a doorway into that character's mind and emotions.
Marge Piercy
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Shared laughter is erotic too.
Marge Piercy