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My grandmother was very important to me. She gave me my religious education. She gave me a sense of the female side of Judaism, of the rich store of stories and legends of the women of the schtetl.

Marge Piercy

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Marge Piercy
Age: 88
Born: 1936
Born: March 31
Activist
Climate Activist
Feminist
Novelist
Poet
Science Fiction Writer
Writer
Detroit
Michigan
Sides
Judaism
Education
Legends
Rich
Store
Religious
Grandmother
Sense
Stores
Stories
Female
Women
Gave
Important
Side

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Suspense is one of the ways you persuade a reader to become engaged and stay engaged with your work.
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Every artist creates with open eyes what she sees in her dream.
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Shared laughter is erotic too.
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The will to be totally rational is the will to be made out of glass and steel: and to use others as if they were glass and steel.
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We live in a media soup and are constantly being programmed or are fighting that programming. Thus any truthful account of a life, every part of a life, is about society as well as an individual.
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I am my mother's daughter,... I am her only novel.
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Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all.
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Connections are made slowly, sometimes they grow underground.
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The anger of the weak never goes away, Professor, it just gets a little moldy. It molds like a beautiful blue cheese in the dark, growing stronger, and more interesting. The poor and the weak die with all their anger intact and probably those angers go on growing in the dark of the grave like the hair and the nails.
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When she kissed him, he melted like a lump of milk chocolate.
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We must shine with hope, stained glass windows that shape light into icons, glow like lanterns borne before a procession. Who can bear hope back into the world but us.
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The work of the world is common as mud.
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Sometimes when a character in a novel is difficult for me to enter, I sue something in myself or in my own life as a doorway into that character's mind and emotions.
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Any life is lived in a particular time and place. Every life is impacted by the family's socio-economic circumstances, and, in later life, by the person's.
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We may be losing the ability to understand animals who are not pets or horses. We have less contact with them. We don't (most of us) tend to know even cows and pigs, let alone bears or wolverines or red tailed hawks.
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I wasn't afraid of being poor I rather took it for granted. I was good at getting by with very little. I couldn't imagine sacrificing my writing to anything else.
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A strong woman is a woman at work, cleaning out the cesspool of the ages, and while she shovels, she talks about how she doesn't mind crying, it opens the ducts of the eyes, and throwing up develops the stomach muscles, and she goes on shoveling with tears in her nose.
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I am a driven writer. I feel guilty if I don't write, not self-indulgent if I do.
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I communicate much better with cats, usually. I know them and their body language - as my own cats know mine very well. Cats are adept at reading subtle signals.
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