Quote

Too much self-regard has never struck me as dignified: trying to twist over my shoulder to view my own behind.

Marge Piercy

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Marge Piercy
Age: 88
Born: 1936
Born: March 31
Activist
Climate Activist
Feminist
Novelist
Poet
Science Fiction Writer
Writer
Detroit
Michigan
Self
Struck
Trying
Shoulder
Much
Shoulders
Regard
Never
View
Behinds
Dignified
Behind
Twist
Views
Twists

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Our wedding plans please everybody as if we were fertilizing the earth and creating social luck.
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I have no connections here only gusty collisions, rootless seedlings forced into bloom, that collapse. ... I am the Visiting Poet: a real unicorn, a wind-up plush dodo, a wax museum of the Movement. People want to push the buttons and see me glow.
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My grandmother was very important to me. She gave me my religious education. She gave me a sense of the female side of Judaism, of the rich store of stories and legends of the women of the schtetl.
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Connections are made slowly, sometimes they grow underground.
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Nobody can live on a bridge or plant potatoes but it is fine for comings and goings, meetings, partings and long views and a real connection to someplace else where you may in the crazy weathers of struggle how and again want to be.
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Suspense is one of the ways you persuade a reader to become engaged and stay engaged with your work.
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Art is a game only if you playat it, a mirror that reflects from the inside out.
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Every poet has a certain amount of stuff. That's what you draw from for imagery. The more stuff you know well, not simply intellectually but sensually, emotionally, intimately, the wider the pool from which you draw.
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Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all.
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The anger of the weak never goes away, Professor, it just gets a little moldy. It molds like a beautiful blue cheese in the dark, growing stronger, and more interesting. The poor and the weak die with all their anger intact and probably those angers go on growing in the dark of the grave like the hair and the nails.
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We must shine with hope, stained glass windows that shape light into icons, glow like lanterns borne before a procession. Who can bear hope back into the world but us.
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In her bottled up is a woman peppery as curry, a yam of a woman of butter and brass.
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The will to be totally rational is the will to be made out of glass and steel: and to use others as if they were glass and steel.
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Whatever is not an energy source, is an energy sink.
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There are obviously a great many ways to organize some fraction of the material in a life.
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The price of seeing is silence.
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I said, I like my life. If Ihave to give it back, if theytake it from me, let me onlynot feel I wasted any, let menot feel I forgot to love anyoneI meant to love, that I forgotto give what I held in my hands,that I forgot to do some littlepiece of the work that wantedto come through.
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Where I came from, the nights I had wandered and survived scared them, and where I would go they never imagined.
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Every Jewish holiday has a religious significance, a historical significance, and a relevance to the time of year in the natural calendar of the seasons and trees and growing things, as well as a personal significance. So you are always looking backward, outward, inward and forward.
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We live in a media soup and are constantly being programmed or are fighting that programming. Thus any truthful account of a life, every part of a life, is about society as well as an individual.
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