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I didn't much like it, this grudge-holding against the past.

Margaret Atwood

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Margaret Atwood
Age: 84
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Grudge
Holding
Didn
Past
Much
Like

More quotes by Margaret Atwood

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Debt is part of the human condition. Civilization is based on exchanges - on gifts, trades, loans - and the revenges and insults that come when they are not paid back.
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I grew up in the golden age of Flash Gordon and sci-fi.
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Always good to take a look at the long list for the Mann Booker, for the Commonwealth. It gives you an overview.There is so much going on all over the world that it's impossible for one person to keep up. And I can't.
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I stand on the corner, pretending I am a tree.
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Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.
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Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move.
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I didn't want him to become gray and multi-dimensional and complicated like everyone else. Was every Heathcliff a Linton in disguise?
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It used to be that your bloodlines dictated who you were. But the U.S. became the land of the self-made man, in which not only did you make a fortune but you could make up everything else about yourself as well. You move into a new town with a spurious pedigreed background and you just make yourself up.
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You don't look back along time but down through it, like water. Sometimes this comes to the surface, sometimes that, sometimes nothing. Nothing goes away.
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The farther north you go, the fewer fruits and vegetables there are. What kind of apple trees do you suggest the Inuit get their apples from? And how much oil is expended transporting such things out there? It's an equation.
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All writers must go from now to once a upon a time all must go from here to there all must descend to where the stories are kept all must take care not to be captured and held immobile by the past.
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Science and fiction both begin with similar questions: What if? Why? How does it all work? But they focus on different areas of life on earth.
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You need a certain amount of nerve to be a writer.
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We are a society dying, said Aunt Lydia, of too much choice.
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The story as told in The Odyssey doesn't hold water. There are too many inconsistencies.
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This is the solstice, the still point of the sun, its cusp and midnight, the year's threshold and unlocking, where the past lets go of and becomes the future the place of caught breath.
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Don't be married to a line or verse if it can't rhyme, fit the meter, or doesn't fit the outline.
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I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.
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I have never had any problems with editors who wanted me to change my methods or point of view. I pay a lot of attention to editors, but in a different way. They sometimes catch mistakes and help with the order of poems in a book. I do not underestimate them! Indeed, I have been one myself.
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It's evening, one of those gray water-color washes, like liquid dust.
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