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The Human moral keyboard is limited ... there's nothing you can play on it that hasn't been played before. And, my dear Friends, I am sorry to say this, but it has its lower notes.
Margaret Atwood
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Margaret Atwood
Age: 84
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Dear
Played
Keyboard
Moral
Keyboards
Friends
Hasn
Human
Lower
Humans
Limited
Nothing
Notes
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Happy as a clam, is what my mother says for happy. I am happy as a clam: hard-shelled, firmly closed.
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No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do too badly by one another, we did as well as most.
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This is how the girl who couldn't speak and the man who couldn't see fell in love.
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Time is compressed like the fist I close on my knee... I hold inside it the clues and solutions and the power for what I must do now.
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Every novel is-at the beginning-the same opening of a door onto a completely unknown space.
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I grew up with the biologists. I know how they think.
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I didn't want him to become gray and multi-dimensional and complicated like everyone else. Was every Heathcliff a Linton in disguise?
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We are very short on organs, and the pig solution is probably a lot better than the human clone solution - though maybe not for the pigs.
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As William Gibson says, the future is already here but it's lumpy. It's unevenly distributed. Some people are already living this, the ones on low-lying islands off the coast of India are being swept away, you know, it's already happening to some people. We happen to be very lucky so far.
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I tried to visualize my jealousy as a yellowy-brown cloud boiling around inside me, then going out through my nose like smoke and turning into a stone and falling down into the ground. That did work a little. But in my visualization a plant covered with poison berries would grow out of the stone, whether I wanted it to or not.
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My own view of myself was that I was small and innocuous, a marshmallow compared to the others. I was a poor shot with a 22, for instance, and not very good with an ax. It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming.
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There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt.
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There is good and mediocre writing within every genre.
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I sometimes felt as if these marks on my body were a kind of code, which blossomed, then faded, like invisible ink held to a candle. But if they were a code, who held the key to it? I was sand, I was snow — written on, rewritten, smoothed over.
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I don't think it's a question of whether you eat meat. It's a question of what kind of meat, and where it comes from.
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Vanity is becoming a nuisance, I can see why women give it up, eventually. But I'm not ready for that yet.
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If he wants to be an asshole, it's a free country. Millions before him have made the same life choice.
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The objects I chose were designed to hold something, but I didn't fill them up. They remained empty. They were little symbolic shrines to thirst.
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