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Richard liked to say he picked things up for a song, which was odd, because he never sang. He never even whistled. He was not a musical person.
Margaret Atwood
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Margaret Atwood
Age: 85
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Song
Persons
Whistled
Music
Sang
Person
Richard
Even
Picked
Things
Odd
Never
Liked
Musical
More quotes by Margaret Atwood
A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
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A divorce is like an amputation: you survive it, but there's less of you.
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Now I can see how that can happen. You can fall in love with anybody--a fool, a criminal, a nothing. There are no good rules.
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What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.
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Sons branch out, but one woman leads to another.
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I knew what love was supposed to be: obsession with undertones of nausea.
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I didn't much like it, this grudge-holding against the past.
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Writing is alone, but I don't think it's lonely. Ask any writer if they feel lonely when they're writing their book, and I think they'll say no.
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Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.
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A prison does not only lock its inmates inside, it keeps all others out. Her strongest prison is of her own construction.
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You fit into me like a hook into an eye a fish hook an open eye
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I'm a refugee from the past, and like other refugees I go over the customs and habits of being I've left or been forced to leave behind me, and it all seems just as quaint, from here, and I am just as obsessive about it.
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He doesn't know which is worse, a past he can't regain or a present that will destroy him if he looks at it too clearly. Then there's the future. Sheer vertigo.
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We should take a lesson from the Irish potato famine: monocultures are vulnerable. Monocultures of any kind are very vulnerable, because one change and you're cooked. So we should be diversifying, wouldn't you say?
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As I was whizzing around the United States on yet another demented book tour, getting up at four in the morning to catch planes, doing two cities a day, eating the Pringle food object out of the mini-bar at night as I crawled around on the hotel room floor, too tired even to phone room service, I thought, 'There must be a better way of doing this'.
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This is how the girl who couldn't speak and the man who couldn't see fell in love.
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If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
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It's his word against the Commander's, unless he wants to head a posse. Kick in the door, and what did I tell you? Caught in the act, sinfully Scrabbling. Quick, eat those words.
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Do back exercises. Pain is distracting.
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You can think clearly only with your clothes on.
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