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This afternoon held that special quality of mournful emptiness I've connected with late Sunday afternoons ever since childhood: the feeling of having nothing to do.
Margaret Atwood
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Margaret Atwood
Age: 84
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Quality
Sunday
Feelings
Held
Ever
Connected
Nothing
Childhood
Late
Mournful
Special
Afternoons
Since
Emptiness
Feeling
Afternoon
More quotes by Margaret Atwood
You can’t buy it, but it has a price,” said Oryx. “Everything has a price.
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Do back exercises. Pain is distracting.
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I write as if I've lived a lot of things I haven't lived.
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You shouldn't do that, said Laura. You could set yourself on fire.
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There may not be one Truth - there may be several truths - but saying that is not to say that reality doesn't exist.
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I have never had any problems with editors who wanted me to change my methods or point of view. I pay a lot of attention to editors, but in a different way. They sometimes catch mistakes and help with the order of poems in a book. I do not underestimate them! Indeed, I have been one myself.
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And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional.
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I knew what love was supposed to be: obsession with undertones of nausea.
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A man is just a woman's strategy for making other women.
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Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
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If I am good enough and quiet enough, perhaps after all they will let me go but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
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Even in the tragedies, [William] Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools.
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EXTINCTATHON, Monitored by MaddAddam. Adam named the living animals, MaddAddam names the dead ones. Do you want to play?
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A ratio of failures is built into the process of writing. The wastebasket has evolved for a reason.
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Our biggest technology that we ever, ever invented was articulated language with built-out grammar. It is that that allows us to imagine things far in the future and things way back in the past.
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In theory I can do almost anything certainly I have been told how. In practice I do as little as possible. I pretend to myself that I would be quite happy in a hermit's cave, living on gruel, if someone else would make the gruel. Gruel, like so many other things, is beyond me.
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The animals have no need for speech, why talk when you are a word.
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I stand on the corner, pretending I am a tree.
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While he writes, I feel as if he is drawing me or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
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