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You can wet the rim of a glass and run your finger around the rim and it will make a sound. This is what I feel like: this sound of glass. I feel like the word shatter. I want to be with someone.
Margaret Atwood
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Margaret Atwood
Age: 84
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Around
Finger
Feel
Glass
Feels
Glasses
Make
Fingers
Like
Word
Sound
Rims
Running
Shatter
Someone
Wet
More quotes by Margaret Atwood
It made him feel invisible—not that he wanted to feel anything else.
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Love's never a fair trade.
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As all historians know, the past is a great darkness, and filled with echoes.
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Nothing is more difficult than to understand the dead, I've found but nothing is more dangerous than to ignore them.
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In view of the fading animals the proliferation of sewers and fears the sea clogging, the air nearing extinction we should be kind, we should take warning, we should forgive each other Instead we are opposite, we touch as though attacking, the gifts we bring even in good faith maybe warp in our hands to implements, to manoeuvres
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Jimmy had been full of himself back then, thinks Snowman with indulgence and a little envy. He’d been unhappy too, of course. It went without saying, his unhappiness. He’d put a lot of energy into it.
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Things written down can cause a great deal of harm. All too often, people don't consider that.
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I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.
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The facts of this world seen clearly are seen through tears.
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Faith is only a word, embroidered.
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In Paradise there are no stories, because there are no journeys.
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If I love you, is that a fact or a weapon?
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Eating is our earliest metaphor, preceding our consciousness of gender difference, race, nationality, and language. We eat before we talk.
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Writing is alone, but I don't think it's lonely. Ask any writer if they feel lonely when they're writing their book, and I think they'll say no.
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His mouth is on me, his hands, I can't wait and he's moving, already, love, it's been so long, I'm alive in my skin, again, arms around him, falling and water softly everywhere, never-ending.
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The Human moral keyboard is limited ... there's nothing you can play on it that hasn't been played before. And, my dear Friends, I am sorry to say this, but it has its lower notes.
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There's something to be said for hunger: at least it lets you know you're still alive.
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While he writes, I feel as if he is drawing me or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
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The only way you can write the truth is to assume that what you set down will never be read.
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A ratio of failures is built into the process of writing. The wastebasket has evolved for a reason. Think of it as the altar of the Muse Oblivion, to whom you sacrifice your botched first drafts, the tokens of your human imperfection.
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