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They spent the first three years of school getting you to pretend stuff and then the rest of it marking you down if you did the same thing.
Margaret Atwood
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Margaret Atwood
Age: 84
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Years
Rest
Getting
Stuff
Three
School
Firsts
Marking
First
Pretend
Thing
Spent
More quotes by Margaret Atwood
I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.
Margaret Atwood
Why is it he feels some line has been crossed, some boundary transgressed? How much is too much, how far is too far?
Margaret Atwood
A reader can never tell if it's a real thimble or an imaginary thimble, because by the time you're reading it, they're the same. It's a thimble. It's in the book.
Margaret Atwood
The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation. I don't think I solve problems in my poetry I think I uncover the problems.
Margaret Atwood
How easy it is, treachery. You just slide into it.
Margaret Atwood
If it's a story I'm telling, then I have control over the ending... But if it's a story, even in my head, I must be telling it to someone. You don't tell a story only to yourself. There's always someone else. Even when there is no one.
Margaret Atwood
A prison does not only lock its inmates inside, it keeps all others out. Her strongest prison is of her own construction.
Margaret Atwood
Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.
Margaret Atwood
Our biggest technology that we ever, ever invented was articulated language with built-out grammar. It is that that allows us to imagine things far in the future and things way back in the past.
Margaret Atwood
Her glass wings are gone.
Margaret Atwood
We should take a lesson from the Irish potato famine: monocultures are vulnerable. Monocultures of any kind are very vulnerable, because one change and you're cooked. So we should be diversifying, wouldn't you say?
Margaret Atwood
Before the Civil War, Canada was at the top of the underground railroad. If you made it into Canada, you were safe unless someone came and hauled you back. That was also true during the Vietnam War for draft resisters.
Margaret Atwood
There's nothing like drawing a thing to make you really see it.
Margaret Atwood
There's something to be said for hunger: at least it lets you know you're still alive.
Margaret Atwood
Marshall McLuhan is absolutely right, we are always looking in the rear view mirror.
Margaret Atwood
As human beings, we are always torn between individual freedom and the ability of choose our actions, and the need for at least enough social structure so that anarchy, chaos, and warlordery - or the war of all against all - can be avoided.
Margaret Atwood
...how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately won't or can't love you. As a species we're pathetic that way: imperfectly monogamous.
Margaret Atwood
Snowman wakes before dawn.
Margaret Atwood
Instead I will say, Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers take me to your deaths. These are worth it. These are what I have come for.
Margaret Atwood
No male writer is likely to be asked to sit on a panel addressing itself to the special problems of a male writer.
Margaret Atwood
