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People cry at weddings for the same reason they cry at happy endings: because they so desperately want to believe in something they know is not credible.
Margaret Atwood
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Margaret Atwood
Age: 84
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Desperately
Cry
Happy
Reason
Something
Believe
Weddings
People
Endings
Credible
More quotes by Margaret Atwood
Science fiction, to me, has not only things that wouldn't happen, but other planets.
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Support your libraries... or else!
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Waste not want not. I am not being wasted. Why do I want?
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Winning intoxicates you, and numbs you to the sufferings of others.
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A movie about the past is not the same as the past.
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If you're waiting for the perfect moment, you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.
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Science is not something that exists apart from human beings. It's one of the things we do as human beings, and we always have done science and technology in some form.
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If I love you, is that a fact or a weapon?
Margaret Atwood
I walk away from him. It's enormously pleasing to me, this walking away. It's like being able to make people appear and vanish, at will.
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Roughing it builds a boy's character, but only certain kinds of roughing it.
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The scroll is coming back (Twitter is a scroll.)
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Remember,' she'd tell her staff, 'every customer wants to feel like a princess, and princesses are selfish and overbearing.
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I'm not an activist by nature. I am suspicious of Utopian thinking and equally suspicious of its alternate. I would prefer to stay in the Writing Burrow and play with my imaginary friends and enemies. I get sucked into these things.
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... all this talking, this rather liquid confessing, was something I didn't think I could ever bring myself to do. It seemed foolhardy to me, like an uncooked egg deciding to to come out of its shell: there would be a risk of spreading out too far, turning into a formless puddle.
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This is how the girl who couldn't speak and the man who couldn't see fell in love.
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Powerlessness and silence go together.
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You're dead, Cordelia.' No I'm not. 'Yes you are. You're dead. Lie down.
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Moira was like an elevator with open sides. She made us dizzy.
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Short forms are returning online. Interactivity is coming back it was always there in oral storytelling. Each form has its pluses and its minuses.
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We have been shark to one another, but also lifeboat.
Margaret Atwood