Quote

at last you, will say (maybe without speaking) (there are mountains inside your skull garden and chaos, ocean and hurricane certain corners of rooms, portraits of great-grandmothers, curtains of a particular shade your deserts your private dinosaurs the first woman) all i need to know: tell me everything just as it was from the beginning.

Margaret Atwood

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Margaret Atwood
Age: 85
Born: 1939
Born: November 18
Essayist
Inventor
Literary Critic
Non-Fiction Writer
Novelist
Pedagogue
Poet
Science Fiction Writer
Writer
Ottawa (Ontario)
Margaret Eleanor Atwood
Without
Maybe
Private
Portraits
Grandmothers
Need
Lasts
Mountain
Shade
Deserts
First
Last
Garden
Mountains
Skull
Great
Woman
Ocean
Grandmother
Hurricane
Needs
Tell
Beginning
Desert
Skulls
Certain
Rooms
Corners
Hurricanes
Firsts
Inside
Speaking
Dinosaurs
Everything
Particular
Chaos
Curtains

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Science is not something that exists apart from human beings. It's one of the things we do as human beings, and we always have done science and technology in some form.
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I always thought eating was a ridiculous activity anyway. I'd get out of it myself if I could, though you've got to do it to stay alive, they tell me.
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I learned to read very early so I could read the comics, which I then started to draw.
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I was born in the Ottawa General Hospital right after the Gray Cup Football Game in 1939. Six months later, I was backpacked into the Quebec bush. I grew up in and out of the bush, in and out of Ottawa, Sault Ste. Marie and Toronto.
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I wish you good writing and good luck. Even if you've already done the good writing, you'll still need the good luck. It's a shark-filled lagoon out there. Cross your fingers and watch your back.
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Whatever is silenced will clamor to be heard, though silently.
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All fathers are invisible in daytime daytime is ruled by mothers and fathers come out at night. Darkness brings home fathers, with their real, unspeakable power. There is more to fathers than meets the eye.
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My own view of myself was that I was small and innocuous, a marshmallow compared to the others. I was a poor shot with a 22, for instance, and not very good with an ax. It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming.
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Thy only authentic ending is the one provided here: John and Mary die, John and Mary die, John and Mary die.
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The Human moral keyboard is limited ... there's nothing you can play on it that hasn't been played before. And, my dear Friends, I am sorry to say this, but it has its lower notes.
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It's evening, one of those gray water-color washes, like liquid dust.
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Writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear or and fascination with mortality - by a desire to make the risky trip to the underworld and to bring something or someone back from the dead.
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There's nothing like drawing a thing to make you really see it.
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The fact is that blank pages inspire me with terror. What will I put on them? Will it be good enough? Will I have to throw it out?
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Marshall McLuhan is absolutely right, we are always looking in the rear view mirror.
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If I waited for perfection... I would never write a word.
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I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
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Always good to take a look at the long list for the Mann Booker, for the Commonwealth. It gives you an overview.There is so much going on all over the world that it's impossible for one person to keep up. And I can't.
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The responsible treatment of this particular Ring of Power is not necessarily to toss it into the Cracks of Doom. But we have to come up with something rather quickly, or what we'll get is the Land of Mordor.
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This is the solstice, the still point of the sun, its cusp and midnight, the year's threshold and unlocking, where the past lets go of and becomes the future the place of caught breath.
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