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Le style, pour l'e crivain aussi bien que pour le peintre, est une question non de technique mais de vision. For the writer as well as for the painter, style is not a question of technique, but of vision.

Marcel Proust

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Marcel Proust
Age: 51 †
Born: 1871
Born: July 10
Died: 1922
Died: November 18
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Paris
France
Valentin Louis Georges Eugène Marcel Proust
Proust
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Valentin Louis Georges Eugéne Marcel Proust
Valentin-Louis-Georges-Eugéne-Marcel Proust
Valentin Louis Georges Eugene Marcel Proust
Valentin-Louis-Georges-Eugene-Marcel Proust
Bernard d'Algouvres
Valentin-Louis-Georges-Eugène-Marcel Proust
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There is no more ridiculous custom than the one that makes you express sympathy once and for all on a given day to a person whose sorrow will endure as long as his life. Such grief, felt in such a way is always present, it is never too late to talk about it, never repetitious to mention it again.
Marcel Proust
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Dear Friend: I have nearly died three times since morning.
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May you always see a blue sky overhead, my young friend and then, even when the time comes, as it has come for me now, when the woods are black, when night is fast falling, you will be able to console yourself, as I do, by looking up at the sky.
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We ought at least, from prudence, never to speak of ourselves, because that is a subject on which we may be sure that other people's views are never in accordance with our own.
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How can we have the courage to wish to live, how can we make a movement to preserve ourselves from death, in a world where love is provoked by a lie and consists solely in the need of having our sufferings appeased by whatever being has made us suffer?
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We do not succeed in changing things according to our desire, but gradually our desire changes.
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For although we know that the years pass, that youth gives way to old age, that fortunes and thrones crumble (even the most solid among them) and that fame is transitory, the manner in which—by means of a sort of snapshot—we take cognisance of this moving universe whirled along by Time, has the contrary effect of immobilising it.
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Nine tenths of the ills from which intelligent people suffer spring from their intellect.
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The heart changes...but we learn of it only from reading or by imagination for in reality its alteration, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.
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Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.
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Less disappointing than life, great works of art do not begin by giving us all their best.
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Through art alone are we able to emerge from ourselves, to know what another person sees of a universe which is not the same as our own and of which, without art, the landscapes would remain as unknown to us as those that may exist on the moon.
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La me decine a fait quelques petits progre' s dans ses connaissances depuis Molie' re, mais aucun dans son vocabulaire. Medicine has made a few, small advances in knowledge since Molie' r e, but none in its vocabulary.
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Griefs, at the moment when they change into ideas, lose some of their power to injure our heart.
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But sometimes the future is latent in us without our knowing it, and our supposedly lying words foreshadow an imminent reality.
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There are optical illusions in time as well as space.
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Our desires cut across one another, and in this confused existence it is rare for happiness to coincide with the desire that clamoured for it.
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L'ide e qu'on mourra est plus cruelle que mourir, mais moins que l'ide e qu'un autre est mort. The idea of dying is worse than dying itself, but less cruel than the idea that another has died.
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We don't receive wisdom we must discover it for ourselves after a journey that no one can take for us or spare us.
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For each illness that doctors cure with medicine, they provoke ten in healthy people by inoculating them with the virus that is a thousand times more powerful than any microbe: the idea that one is ill.
Marcel Proust