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The moments of the past do not remain still they retain in our memory the motion which drew them towards the future, towards a future which has itself become the past, and draw us on in their train.

Marcel Proust

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Marcel Proust
Age: 51 †
Born: 1871
Born: July 10
Died: 1922
Died: November 18
Author
Essayist
Literary Critic
Novelist
Poet
Prosaist
Writer
Paris
France
Valentin Louis Georges Eugène Marcel Proust
Proust
Valentin-Louis-Georgs-Eugène-Marcel Proust
Valentin Louis Georges Eugéne Marcel Proust
Valentin-Louis-Georges-Eugéne-Marcel Proust
Valentin Louis Georges Eugene Marcel Proust
Valentin-Louis-Georges-Eugene-Marcel Proust
Bernard d'Algouvres
Valentin-Louis-Georges-Eugène-Marcel Proust
Train
Retain
Memories
Drew
Future
Motion
Moments
Draw
Past
Draws
Become
Towards
Stills
Remain
Still
Memory

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Even the simple act that we call going to visit a person of our acquaintance is in part an intellectual act. We fill the physical appearance of the person we see with all the notions we have about him, and in the totality of our impressions about him, these notions play the most important role.
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The facts of life do not penetrate to the sphere in which our beliefs are cherished they did not engender those beliefs, and they are powerless to destroy them.
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A woman whom we need and who makes us suffer elicits from us a whole gamut of feelings far more profound and vital than a man of genius who interests us.
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We don't receive wisdom we must discover it for ourselves after a journey that no one can take for us or spare us.
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It is a mistake to speak of a bad choice in love, since, as soon as a choice exists, it can only be bad.
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A picture's beauty does not depend on the things portrayed in it.
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Even from the simplest, the most realistic point of view, the countries which we long for occupy, at any given moment, a far larger place in our actual life than the country in which we happen to be.
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One must never miss an opportunity of quoting things by others which are always more interesting than those one thinks up oneself.
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The true paradises are the paradises that we have lost.
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Certain favourite roles are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten.
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Under each station of the real, another glimmers.
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Love...., ever unsatisfied, lives always in the moment that is about to come.
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I had long since given up trying to extract from a woman as it were the square root of her unknown quantity, the mystery of which a mere introduction was generally enough to dispel.
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Let a prize lower my position, if it causes me to be read that I prefer immediately to all the honors.
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... in love, barriers cannot be destroyed from the outside by the one to whom the cause despair, no matter what he does and it isonly when he is no longer concerned with them that, suddenly, as a result of work coming from elsewhere, accomplished within the one who did not love him, these barriers, formerly attacked without success, fall futilely.
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Only by art can we get outside ourselves, instead of seeing only one world, our own, we see it under multiple forms.
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To a great extent, suffering is a sort of need felt by the organism to make itself familiar with a new state, which makes it uneasy, to adapt its sensibility to that state.
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After a certain age our memories are so intertwined with one another that what we are thinking of, the book we are reading, scarcely matters any more. We have put something of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries no less precious than in Pascal's Pensées in an advertisement for soap.
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Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.
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