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Most of the supposed expressions of our feelings merely relieve us of them by drawing them out of us in an indistinct form that does not teach us to know them.

Marcel Proust

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Marcel Proust
Age: 51 †
Born: 1871
Born: July 10
Died: 1922
Died: November 18
Author
Essayist
Literary Critic
Novelist
Poet
Prosaist
Writer
Paris
France
Valentin Louis Georges Eugène Marcel Proust
Proust
Valentin-Louis-Georgs-Eugène-Marcel Proust
Valentin Louis Georges Eugéne Marcel Proust
Valentin-Louis-Georges-Eugéne-Marcel Proust
Valentin Louis Georges Eugene Marcel Proust
Valentin-Louis-Georges-Eugene-Marcel Proust
Bernard d'Algouvres
Valentin-Louis-Georges-Eugène-Marcel Proust
Drawing
Supposed
Merely
Expression
Teach
Feelings
Indistinct
Form
Relieve
Doe
Expressions

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I was left alone there in the company of the orchids, roses and violets, which, like people waiting beside you who do not know you, preserved a silence which their individuality as living things made all the more striking, and warmed themselves in the heat of a glowing coal fire.
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The loss of a sense adds as much beauty to the world as its acquisition.
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The charms of the passing woman are generally in direct ratio to the swiftness of our passage.
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Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.
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The true paradises are the paradises that we have lost.
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Our intonations contain our philosophy of life, what each of us is constantly telling himself about things.
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Masterpieces are no more than the shipwrecked flotsam of great minds.
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Nine tenths of the ills from which intelligent people suffer spring from their intellect.
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Wars are fought for the benefit of oligarchs, triumphs bought with the blood of peons.
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A certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart.
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Even the simple act that we call going to visit a person of our acquaintance is in part an intellectual act. We fill the physical appearance of the person we see with all the notions we have about him, and in the totality of our impressions about him, these notions play the most important role.
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There are mountainous, arduous days, up which one takes an infinite time to climb, and downward-sloping days which one can descend at full tilt, singing as one goes.
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It is the tragedy of other people that they are to us merely showcases for the very perishable collections of our own mind.
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People who, not being in love themselves, feel that a clever man should only be unhappy about a person who is worth his while which is rather like being astonished that anyone should condescend to die of cholera at the bidding of so insignificant a creature as the comma bacillus.
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The fixity of a habit is generally in direct proportion to its absurdity.
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... in love, barriers cannot be destroyed from the outside by the one to whom the cause despair, no matter what he does and it isonly when he is no longer concerned with them that, suddenly, as a result of work coming from elsewhere, accomplished within the one who did not love him, these barriers, formerly attacked without success, fall futilely.
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Those whose suffering is due to love are, as we say of certain invalids, their own physicians.
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Certain favourite roles are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten.
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Laissons les jolies femmes aux hommes sans imagination. Leave the pretty women for the men without imagination.
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The highest praise of God consists in the denial of him by the atheist who finds creation so perfect that it can dispense with a creator.
Marcel Proust