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To be an artist is to fail, as no other dare to fail... failure is his world and the shrink from it desertion

Marcel Proust

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Marcel Proust
Age: 51 †
Born: 1871
Born: July 10
Died: 1922
Died: November 18
Author
Essayist
Literary Critic
Novelist
Poet
Prosaist
Writer
Paris
France
Valentin Louis Georges Eugène Marcel Proust
Proust
Valentin-Louis-Georgs-Eugène-Marcel Proust
Valentin Louis Georges Eugéne Marcel Proust
Valentin-Louis-Georges-Eugéne-Marcel Proust
Valentin Louis Georges Eugene Marcel Proust
Valentin-Louis-Georges-Eugene-Marcel Proust
Bernard d'Algouvres
Valentin-Louis-Georges-Eugène-Marcel Proust
World
Desertion
Shrink
Shrinks
Dare
Fail
Failure
Failing
Artist

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Like many intellectuals, he was incapable of saying a simple thing in a simple way.
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There is no more ridiculous custom than the one that makes you express sympathy once and for all on a given day to a person whose sorrow will endure as long as his life. Such grief, felt in such a way is always present, it is never too late to talk about it, never repetitious to mention it again.
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For every sin there is forgiveness, and especially for the sins of youth.
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How can we have the courage to wish to live, how can we make a movement to preserve ourselves from death, in a world where love is provoked by a lie and consists solely in the need of having our sufferings appeased by whatever being has made us suffer?
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A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.
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Only by art can we get outside ourselves, instead of seeing only one world, our own, we see it under multiple forms.
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The only possible paradises are those we have lost
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The opinions which we hold of one another, our relations with friends and kinsfolk are in no sense permanent, save in appearance, but are as eternally fluid as the sea itself.
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I was left alone there in the company of the orchids, roses and violets, which, like people waiting beside you who do not know you, preserved a silence which their individuality as living things made all the more striking, and warmed themselves in the heat of a glowing coal fire.
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Medicine being a compendium of the successive and contradictory mistakes of medical practitioners, when we summon the wisest of them to our aid, the chances are that we may be relying on a scientific truth the error of which will be recognized in a few years time.
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Time, which changes people, does not alter the image we have retained of them.
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Instead of seeking new landscapes, develop new eyes.
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Daughters of the attitude that produced them, certain women will not appeal to us without the double bed in which we find peace by their side, while others, to be caressed with a more secret intention, require leaves blown by the wind, water rippling in the dark, things as light and fleeting as they are.
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Time passes, and little by little everything that we have spoken in falsehood becomes true.
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To a great extent, suffering is a sort of need felt by the organism to make itself familiar with a new state, which makes it uneasy, to adapt its sensibility to that state.
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No doubt very few people understand the purely subjective nature of the phenomenon that we call love, or how it creates, so to speak, a supplementary person, distinct from the person whom the world knows by the same name, a person most of whose constituent elements are derived from ourselves.
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The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
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For neither our greatest fears nor our greatest hopes are beyond the limits of our strength--we are able in the end both to dominate the first and to achieve the second.
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Le style, pour l'e crivain aussi bien que pour le peintre, est une question non de technique mais de vision. For the writer as well as for the painter, style is not a question of technique, but of vision.
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People who, not being in love themselves, feel that a clever man should only be unhappy about a person who is worth his while which is rather like being astonished that anyone should condescend to die of cholera at the bidding of so insignificant a creature as the comma bacillus.
Marcel Proust