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I thought to discourage aesthetics... I threw the bottlerack and the urinal in their faces and now they admire them for their aesthetic beauty.
Marcel Duchamp
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Marcel Duchamp
Age: 81 †
Born: 1887
Born: July 28
Died: 1968
Died: October 1
Actor
Artist
Chess Player
Designer
Engraver
Film Director
Librarian
Painter
Philosopher
Photographer
Poet
Sculptor
Visual Artist
Henri Robert Marcel Duchamp
Rrose Sélavy
R. Mutt
Rose Sélavy
Marcel Duchamp-Villon
Marsel Dushan
Duxiang
Henri-Robert-Marcel Duchamp
Marcel Duchamp- Villon
Rrose Selavy
Rose Selavy
Threw
Aesthetic
Admire
Beauty
Faces
Urinal
Thought
Discourage
Aesthetics
Discouraging
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Possible reality [is obtained] by slightly bending physical and chemical laws.
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I'm not at all sure that the concept of the readymade isn't the most important single idea to come out of my work.
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Art has the lovely habit of ruining all artistic theories.
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While all artists are not chess players, all chess players are artists.
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The individual, man as a man, man as a brain, if you like, interests me more than what he makes, because I've noticed that most artists only repeat themselves.
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All decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis.
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I don't believe in art. I believe in artists.
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The Chess pieces are the block alphabet which shapes thoughts and these thoughts, although making a visual design on the chessboard, express their beauty abstractly, like a poem
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I consider painting as a means of expression, not as a goal.
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I've decided that art is a habit-forming drug. That's all it is, for the artist, for the collector, for anybody connected with it.
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It's the viewer that makes the work.
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To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.
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If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
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I believe that the artist doesn't know what he does. I attach even more importance to the spectator than to the artist.
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What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.
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As soon as we start putting our thoughts into words and sentences everything gets distorted, language is just no damn good—I use it because I have to, but I don’t put any trust in it. We never understand each other.
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Chess players are madmen of a certain quality, the way the artist is supposed to be, and isn't, in general.
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The curious thing about that moustache and goatee is that when you look at the Mona Lisa it becomes a man. It is not a woman disguised as a man it is a real man, and that was my discovery, without realising it at the time.
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Three or four drops of height have nothing to do with savageness.
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Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'readymades aided' and also works of assemblage.
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