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As soon as we start putting our thoughts into words and sentences everything gets distorted, language is just no damn good—I use it because I have to, but I don’t put any trust in it. We never understand each other.
Marcel Duchamp
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Marcel Duchamp
Age: 81 †
Born: 1887
Born: July 28
Died: 1968
Died: October 1
Actor
Artist
Chess Player
Designer
Engraver
Film Director
Librarian
Painter
Philosopher
Photographer
Poet
Sculptor
Visual Artist
Henri Robert Marcel Duchamp
Rrose Sélavy
R. Mutt
Rose Sélavy
Marcel Duchamp-Villon
Marsel Dushan
Duxiang
Henri-Robert-Marcel Duchamp
Marcel Duchamp- Villon
Rrose Selavy
Rose Selavy
Never
Trust
Start
Distorted
Words
Sentences
Language
Damn
Understand
Putting
Use
Soon
Everything
Thoughts
Good
Gets
More quotes by Marcel Duchamp
My art would be that of living: each moment, each breath is a work inscribed nowhere.
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It's the viewer that makes the work.
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The most interesting thing about artists is how they live
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While all artists are not chess players, all chess players are artists.
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Three or four drops of height have nothing to do with savageness.
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All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
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Chess players are madmen of a certain quality, the way the artist is supposed to be, and isn't, in general.
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In my day artists wanted to be outcasts, pariahs. Now they are all integrated into society
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I consider painting as a means of expression, not as a goal.
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I was poking fun at myself most of all.
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The individual, man as a man, man as a brain, if you like, interests me more than what he makes, because I've noticed that most artists only repeat themselves.
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If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.
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I'm not at all sure that the concept of the readymade isn't the most important single idea to come out of my work.
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To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.
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Possible reality [is obtained] by slightly bending physical and chemical laws.
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I don't believe in art. I believe in artists.
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I feel shame, not for the wrong things I have done, but for the right things that I have failed to do.
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The life of an artist is like the life of a monk, a lewd monk if you like, very Rabelaisian. It is an ordination.
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I thought to discourage aesthetics... I threw the bottlerack and the urinal in their faces and now they admire them for their aesthetic beauty.
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I've decided that art is a habit-forming drug. That's all it is, for the artist, for the collector, for anybody connected with it.
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