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I always say I lived my life with my grandmother. She was emotionally stable, and she was very encouraging to me.
Marc Jacobs
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Marc Jacobs
Age: 61
Born: 1963
Born: April 8
Dressmaker
Fashion Designer
New York City
New York
Life
Encouraging
Emotionally
Stable
Grandmother
Lived
Always
More quotes by Marc Jacobs
I always find beauty in things that are odd and imperfect - they are much more interesting.
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Anyone who thinks designers don't talk to editors, and editors don't talk to stores doesn't know what's happening...It's called crossover, sampling all references in music, art and fashion.
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But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.
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I always say that I'm not the director, I'm part of the team.
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Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.
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Change is a great and horrible thing, and people love it or hate it at the same time. Without change, however, you just don't move.
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I like spending time at home. In Paris, people drop by and have a bite to eat, or they drop by and watch Friends on TV. I take my dog to the office there, and I walk to work sometimes.
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I still appreciate individuality. Style is much more interesting than fashion, really.
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A sellout is putting your name on any piece of crap and then expecting people to buy it because it's got your name on it. That's what a sellout is to me.
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I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
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What's worked for me is not quitting and being passionate about what I do and not giving up - and when I don't believe in myself, turning to others who believe in me.
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I value very much the time before the show, when there is nothing else but to concentrate on the show, and it's just purely design.
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We live in a world where people are really hungry for information, and they're not hungry for information on subjects that they're not interested in.
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My mind absorbs things in a funny way. I'm on planes quite a bit and I always take stacks and stacks of magazines and I go through them and tear pages out and fold them up, and they get stuck at the bottom of my backpack or whatever.
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I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.
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Sometimes there are two very opposite directions, and we go with the stronger one at the end. It's an impulse thing, like, 'Oh, I love both so much, but it's got to be one or the other because the two don't work together.'
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When you see a fashion show, you see those seven minutes of what was six months of tedious work of, you know, going up an inch and down an inch, changing it from one shade of red to another shade of red. So it's the same as any creative process. The result is what we see, but the process is really labor intensive and work.
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I am a perfect being in a perfect world.
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Sometimes, you just have to clear your head and get out to see other things. It is very important to be nourished. I love to go to museums and galleries, I like to see theatre, film, dance - anything creative. It doesn't promise you inspiration, but it nourishes your creative soul, and that's good.
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Grunge is a hippied romantic version of punk.
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