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I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.

Manuel Puig

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Manuel Puig
Age: 57 †
Born: 1932
Born: December 28
Died: 1990
Died: July 22
Author
Novelist
Playwright
Screenwriter
Writer
Juan Manuel Puig Delledonne
Film
Childhood
Writing
Films
Like
Saws
Started
Ukulele
Movie
Copies
Literature
Scripts
Simple
Finished
Didn
Excited

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What better model of a synthesis than a nocturnal dream? Dreams simplify, don't they?
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
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Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.
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Your reality, isn’t restricted by this cell we live in. If you read something, if you study something, you transcend any cell you’re inside of
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Writers are not meant for action.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
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I don't have traceable literary models because I haven't had great literary influences in my life.
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It doesn't matter that the way of life shown by Hollywood was phony. It helped you hope.
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I had stories that needed more space than the hour and a half or two hours a movie gives you.
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It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Book reviews have never helped me. Most of them erred in their interpretations and their work has been a waste of time.
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I felt the need to tell stories to understand myself.
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Ironically, Latin American countries, in their instability, give writers and intellectuals the hope that they are needed.
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Teaching is a good distraction, and I am in contact with young people, which is very gratifying.
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I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
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My greatest aspiration was always to live in the tropics.
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