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I began teaching in New York because I needed to stay in the United States and didn't have my immigration papers in order, so working for a university was a way of resolving the issue.

Manuel Puig

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Manuel Puig
Age: 57 †
Born: 1932
Born: December 28
Died: 1990
Died: July 22
Author
Novelist
Playwright
Screenwriter
Writer
Juan Manuel Puig Delledonne
United
York
Order
Paper
Teaching
Resolving
Didn
Stay
Papers
States
Needed
Immigration
Way
Issues
Began
Literature
Issue
Working
University

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My stories are very somber, so I think I need the comic ingredient. Besides, life has so much humor.
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My greatest aspiration was always to live in the tropics.
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I believe in characters as vehicles of exposition. Their voices are full of hidden clues, and I like to listen to them.
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I don't want to name names, but the least I can say about rock and roll is that I'm suspicious.
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What better model of a synthesis than a nocturnal dream? Dreams simplify, don't they?
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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It doesn't matter that the way of life shown by Hollywood was phony. It helped you hope.
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If the novelist shares his or her problems with the characters, he or she is able to study his personal unconscious.
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Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.
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It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.
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Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.
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I allow my intuition to lead my path.
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I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
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I don't have traceable literary models because I haven't had great literary influences in my life.
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I write novels because there is something I don't understand in reality.
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As a rule, one should never place form over content.
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The translator's task is to create, in his or her own language, the same tensions appearing in the original. That's hard!
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My pleasure was to copy, not to create.
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