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Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.

Manolo Blahnik

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Manolo Blahnik
Age: 82
Born: 1942
Born: November 27
Artist
Businessperson
Dressmaker
Fashion Designer
Shoe Designer
Manuel Blahnik Rodríguez
Manuel Blahnik Rodriguez
Shoes
Footwear
Fortune
Icons
Cost
Marriages
Fashion
Cheaper
Tell
Costs
Stills
Divorce
Still
Useful
Men
Saved

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I don't like very young women very much. Never did.
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I adore Jean-Louis Trintignant - even at 100 years old he's fabulous.
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My most treasured clothing item is first suit that I made - acid green. It was disgusting, but I love it. It's been mended a million times, but I still wear it.
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I'm loyal to my friends, but I have so few now.I force myself to see people when they're here. Or when I'm here. I don't live in England that much now in the sense that I spend time in factories. I'm such a factory man now. This is really what I enjoy doing.
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It was so interesting that the girls were moving in such a different way.
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These are very dainty and superrefined, but really vile.
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It was a different social structure. I'd go to [David] Bailey's for dinner at 10:30. There were always girls there and a house full of . . . I don't know, anybody. Cecil Beaton, Diana Cooper . . . And there I am sitting down with these creatures of the 20th century, and it was normal to us.
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I'm loyal to my thoughts, to my friends. This is what I really like the best. Loyalty. Sounds goody-goody. Maybe that's not the one you wanted.
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I'm going to do what I do, even more exaggerated. This is my attitude always. I don't betray myself at all.
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I don't think about myself very much.
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I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
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When I was a boy I remember the women, how they dressed, how they behaved, what was important to them at the time. Like Lee Marvin and Gloria Grahame in The Big Heat.
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The imprint of Miss Hepburn is absolutely, totally present. Like it or not, she will be the most important look of the twentieth century.
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It's the only thing I really enjoy - so fresh, even now that I'm doing the new sampling. I'm dying to go to the factory, which is like nobody's idea of fun. But it's mine.
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People walk differently in high heels. Your body sways to a different kind of tempo.
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That kind of woman who used to be there at the time is not here any longer. In 10 years, people disappear. But I fantasize still about those kinds of women, and that kind of life that doesn't really exist any longer.
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I'd been to Saint Petersburg before, but there's been a change in people's minds. Maybe it's a fashionable thing, but people have returned to the churches. I went to a Russian Orthodox and a Catholic church - both of the queues, enormous!
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I don't even think about the word. But I do have certain things where I just go, Aaaaahhh, irritatingly boring and insistent because I want it to look that way and I can do it - I don't even know if you'd call it passion or obsession. Obsession, possibly, but I really love what I do.
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I didn't need it [formal training], because I've got the best taste in the world.
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I've never been tempted to do these hideous furniture shoes.
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