The movie industry is failing women. And until the industry starts making serious changes, nothing is going to change.

André Bazin wrote that art emerged from our desire to counter the passage of time and the inevitable decay it brings. But in “Boyhood,” Mr. Linklater's masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn't fighting time but embracing it in all its glorious and agonizingly fleeting beauty.

There isn’t anything good to say about Kick-Ass 2, the even more witless, mirthless follow-up to Kick-Ass.

Moment by moment, with a twitch, a shudder, a look, it’s Mr. Hardy who movingly draws you in, turning a stranger’s face into a life.

By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.

NOTHING SHOULD BE TAKEN FOR GRANTED IN 'EVERYONE ELSE,' WHICH IS AT ONCE LAID-BACK AND RIGOROUSAbout the world we create when we fall in love, and how we navigate the space between us and that separating us from everyone else.

Mr. Lapid, making an electrifying feature directing debut, traces the line between the group and the individual in a story that can be read as a commentary on the world as much as on Israel.

The New World is rated PG-13 (Parents strongly cautioned). There is some intense, bloodless violence and the beautiful underage lead actress (15-year-old Q'orianka Kilcher) may cause cardiac arrest among some viewers.

Paprika is evidence that Japanese animators are reaching for the moon, while most of their American counterparts remain stuck in the kiddie sandbox.

In scene after scene, meaning sneaks in and sometimes roars.